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Eleutherna 1998 OverviewEleutherna on Crete Ancient Eleutherna is situated 25km south-east of Rethymnon, 400m above the sea level, on the foothills of the highest mountain (approx. H. 2.SOO m) on Crete, Ida (see map of Crete, Fig. 1). It is built on a very well protected hill, the Prines hill, which resembles the relief of a boat; it is flanked by two torrents, from East and West, which flow together on the north. Surveys and systematic excavations prove that the city, and the surroundings of the Prines hill, were inhabited during the periods of increasing development (settlements, sanctuaries, cemeteries, quarries etc.) Owing to its location, approximately in the middle between the west
and central Crete, between Cydonia and Cnosos, and in the centre from
the north shores of the island to its most significant sanctuary on the
top of Ida, the Idaion Andron (cave), it was an essential centre controlling
the terrestrial root on the axis of communication between east-west and
north-south. The importance of the location and its richness in agriculture,
forests, cattle-breading, as well as trade which was controlled on the
its ports (Stavromenos and Panormos) made it a rich and powerful centre
on the island from the Minoan to the Geometric, Archaic, Classical, Roman
and even the Early Byzantine periods. The present application concerns the study and the publication of the material found in a rock-cut Chamber Tomb in the Necropolis of the Orthi Petra ("Standing Stone"), dug almost 7 years ago. It consists of almost five hundred cinerary urns full of cremated bones and grave goods (pottery, metal objects, jewellery, idols, etc., Figs. 4-20). The whole material is very important for the study of the early Iron Age Crete, Aegean and the Eastern Mediterranean (Cyprus, Syria, Levant, Israel, Egypt). |
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Small Ivory Head, part of a group of composite figures consisting of ivory, wood, and gold, which was attached to a valuable piece of furniture, probably a wooden box (larnax). Exquisite work on ivory with characteristic features such as the movement which is implicit in its structure or the movement which is explicitly captured. Even the illlusion of scale, far greater than its actual size, is remarkable. Dated at the end of the 7th – beginning of the 6th c. B.C., it was probably produced by a Cretan artist who had relations with Samos and Ephesus. Its black color is due to the burning conditions of the piece of furniture to which it belonged.
Golden leaf (h: 0,10 m., w: 0,044 m) in embossed work, representing the Goddess with the upraised hands, en face, wearing a long garment and a pole in her hand. Geometric period.