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A Long Tradition In the Roman Imperial period (1st - 3rd centuries A.D.), lamps were decorated with molded relief, which depicted gods, humans, animals, or floral designs. Visible on the base of one lamp (1995.10.1002), dating to the 2nd century A.D., is a maker's mark in the shape of a tiny footprint. |
![]() 1995.10.1002 |
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| A Simple Design A lamp consisted of a container for fuel (usually olive oil but animal lard was also used) into which a wick was inserted. The later edition of a cover and a specially designed wick-holder were practical refinements which prevented accidental spills and excessive smoking. Brighter light was obtained by multiplying the number of wicks in a single lamp (in effect, increasing the wattage), or by adding more lamps (i.e., increasing the number of bulbs). |
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Oil lamps were used wherever extra light was needed, in homes and shops, in mines and theaters. They could be placed in specially designed stands, set in niches in walls, or simply carried by hand. Lamps were also used in ceremonies associated with burial and memorial services, or presented as offerings in sanctuaries. Lamps placed in tombs usually survived intact. The Cesnola Collection lamps probably all came from tombs. Some of these seem never to have been lit as there is no trace of burning on the nozzles/wick holders. The use of oil lamps was linked to the availability of fuel. Olive oil, produced throughout the Mediterranean, constituted not only a basic dietary ingredient, but also a ready supply of lamp fuel. The scarcity of olive oil may have limited the use of lamps in certain parts of the ancient world. For example, oil lamps were less common in Roman Britain, where it was too cold for olive trees to grow, than in Roman Cyprus, where olive trees were abundant, and still are to this day. Recent evidence has shown that beeswax was also used as an illuminant. |
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Wheel-Thrown and Mold-Made In the Roman provinces, potters seem to have used imported Italian lamps as a patrix, casting molds directly on the imported original. This method, called "surmoulage," resulted in the rather blurred relief decoration often found on Roman provincial lamps - and certainly this was the case on Cyprus. The lack of sharp relief could also have resulted from the gradual abrasion of the mold as it was used over and over again. |
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| Decorated Lamps & Maker's Marks Molding techniques multiplied decorative possibilities and there was a veritable explosion of molded relief on lamps. The discus, or central portion of the top of the lamp, typically received these decorations. There were a wide range of motifs; humans, animals of every sort, mythological scenes, geometric patterns, and in the 4th century A.D., Christian, Jewish, Arabic symbols and inscriptions. The practice of molding permitted the large-scale industrial production of lamps with standardized form and decoration. Some lamps bear a signature or pictorial design stamped on the base. These are generally referred to as "maker's marks, and though they may have been the mark of the potter who made the lamp, they may also have signified the owner of the potting workshop. |
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