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Books
2000
Music and the Cultures of Print, ed. Kate van Orden, afterword by Roger Chartier (New York: Garland Publishing Inc.)
2005
Music, Discipline, and Arms in Early Modern France (Chicago: The University of Chicago Press)
Forthcoming
Materialities: Books, Readers, and the Chanson in Early Modern Europe
Articles
1994
“Imitation and ‘la musique des anciens’ in Le Roy & Ballard’s 1572 Mellange de chansons,” Revue de musicologie, 80: 5-37
“Modern Poetics of Chance: Boulez, Mallarmé, Cage,” Yearbook of Comparative and General Literature, 42: 70-82
1995
“Sexual Discourse in the Parisian Chanson: A Libidinous Aviary,” Journal of the American Musicological Society, 48: 1-42
1996
“Les vers lascivs d’Horace: Arcadelt’s Latin Chansons,” Journal of Musicology, 14: 338-69
1997
“De la chanson à l’ode: Musique et poésie sous le mécénat du cardinal Charles de Lorraine,” written with Philippe Desan, in Le Mécénat et l’influence des Guises, ed. Yvonne Bellenger (Paris: H. Champion), 463-87
1998
“On the Side of Poetry and Chaos: Mallarméan hasard and Twentieth-Century Music,” Meetings with Mallarmé, ed. Michael Temple (Exeter: University of Exeter Press), 160-79
“Historical Performance as Cultural Performance,” (position paper for symposium of the same title) Fifth Biennial Berkeley Festival & Exhibition Program (Cal Performances—University of California, Berkeley), 12-14
1999
“An Erotic Metaphysics of Hearing in Early Modern France,” The Musical Quarterly, 82: 678-91
“The Reign of Music,” in The Empire Resounds: Music in the Days of Charles V. ed. Frances Maes (Leuven: Leuven University Press), 64-81 (published concurrently in Flemish as De Klanken van de Keizer: Karel V en de Polyfonie)
2000
“Music and the Spectacular,” (position paper for symposium of the same title) Sixth Biennial Berkeley Festival & Exhibition Program (Cal Performances—University of California, Berkeley), 14-16
“Joachim Du Bellay,” MGG (Kassel: Bärenreiter), 5: 1464-1465
“Ficino’s Lyre in Baudelaire’s Paris ,” La Renaissance et sa musique au XIXe siècle, ed. Philippe Vendrix (Paris: Klincksieck), 209-226
2001
“Female Complaintes: Laments of Venus, Queens, and City Women in Late Sixteenth-Century France,” Renaissance Quarterly, 54: 1-44
“La chanson vulgaire and Ronsard’s Poetry for Music,” in Poetry and Music in the French Renaissance, ed. Jeanice Brooks, Philip Ford, and Gillian Jondorf (Cambridge: Cambridge French Colloquia), 79-109
2002
“Descartes on Musical Training and the Body,” in Music, Sensibility, and Sensuality, ed. Linda Austern (New York: Routledge), 17-38
2004
“Della corte alla città: la chanson nei secoli XV e XVI” in Enciclopedìa della musica, general ed. Jean-Jacques Nattiez, volume editor, Margaret Bent (Turin: Einaudi). 4: 242-266
2005
“Tielman Susato and the Cultures of Print,” in Tielman Susato and the Music of His Time, ed. Keith Polk (Stuyvesant, NY: Pendragon Press), 143-163
“From Gens d’armes to Gentilshommes: Dressage, Civility, and the Ballet à Cheval” in The Culture of the Horse: Status, Discipline, and Identity in the Early Modern World, ed. Karen Raber and Treva J. Tucker (New York: Palgrave), 197-222
2006
“Chanson and Air,” in European Music, 1520-1640, ed. James Haar (Suffolk: Boydell & Brewer Ltd.), 193-224
“Children’s Voices: Singing and Literacy in Sixteenth-Century France,” Early Music History 25 (2006): 209-256
“Le plaisir de pouvoir et le pouvoir du plaisir,” in Le Plaisir musical en France au XVIIe siècle (Sprimont: Mardaga), 131-144
“Un sacre à Toulouse? Les cérémonies de la paix de 1596,” in L’humanisme à Toulouse (1480-1596), ed. Nathalie Dauvois-Lavialle (Paris: Éditions Honoré Champion)
2008
“Early Modern Home Décor, Parties, and Make-Up,” essay-length book review of Bonnie Gordon, Monteverdi’s Unruly Women: The Power of Song in Early Modern Italy (Cambridge, 2004); Kelley Harness, Echoes of Women’s Voices: Music, Art, and Female Patronage in Early Modern Florence (Chicago & London, 2006); Katherine A. McIver, Women, Art, and Architecture in Northern Italy, 1520-1580: Negotiating Power (Aldershot, 2006); Patricia Phillippy, Painting Women: Cosmetics, Canvases, & Early Modern Culture. Baltimore, 2006); and Mieke Bal, ed., The Artemisia Files: Artemisia Gentileschi for Feminists and Other Thinking People (Chicago & London, 2005), Journal of Women’s History 20 (2008): 85-193.
“Chorégraphies courtoises et militaires,” Les arts de l’équitation dans l’Europe de la Renaissance, ed. Patrice Franchet d’Espèrey (Arles: Actes Sud), 388-405.
“Korolevskaya karusel,” Hermitage 2 (2008), 40-45.
2010
(with Alfredo Vitolo) "Padre Martini, Gaetano Gaspari, and the 'Pagliarini Collection': A Renaissance Music Library Rediscovered," Early Music History 29 (2010): 241-324
2011
"Du mérite de la dance pour le gouvernement des princes," in La délivrance de Renaud, Ballet dansé par Louis XIII en 1617, ed. Greer Garden (Turnhout, Belgium: Brepols), 157-69.
"Josquin, Renaissance Historiography, and the Cultures of Print," in The Oxford Handbook to the New Cultural History of Music, ed. Jane Fair Fulcher (New York: Oxford University Press), 354-80.
"Renaissance" subject entry for Oxford Bibliographies Online (this entry includes 200+ annotated citations of musicological scholarship on the Renaissance)
Forthcoming "The Parisian Chanson: Prints and Readers," Il Saggiatore Musicale 17 (2010):
"Robert Granjon and Music during the Golden Age of Typography," in Communicating about Music, a festschrift for Jane A. Bernstein edited by Roberta M. Marvin and Craig Monson, Eastman Studies in Music (Rochester: University of Rochester Press) (in production, ca. 12,000 words)
Stage Productions
1998-99
“Fête at Fontainebleau,” historical reconstruction of musical score, staging, dance; performance produced in collaboration with Mark Franko, Theater Arts UCSC, who directed the performance, and David Douglass, director of The King’s Noyse, Boston, who led the Collegium in the performance. Responsible for artistic conception, production management and musical reconstruction.
1999-00
"Le Carrousel du Roi," director, Sixth Biennial Berkeley Festival of Early Music, performances on 9 and 10 June. This production was based on my reconstruction of an equestrian ballet performed in 1612 for the engagement of Louis XIII.
2001-02
"Le Carrousel du Roi," director, Seventh Biennial Berkeley Festival of Early Music, (3 performances). A reworked presentation of the Equestrian Ballet from 2000, with an added ballet, entre’acts, and new fanfares.
Discography
1989
Bach, Christmas Oratorio, Collegium Vocale Ghent, dir. Philippe Herreweghe, Virgin Classics (2 discs)
Purcell, The Fairy Queen, Les Arts Florissants, dir. William Christie, Harmonia Mundi France (2 discs)
Bach, Cantatas, 82, 152, 202, Ricercar Consort, Ricercar
German Baroque Cantatas, Ricercar Consort, Ricercar
Haydn, Symphonies 90, 91, La Petite Bande, dir. Sigiswald Kuijken, Virgin Classics
1990
Bach, Masses 234, 235, Collegium Vocale Ghent, dir. Philippe Herreweghe, Virgin Classics
Bach, Cantatas 21, 42, Collegium Vocale Ghent, dir. Philippe Herreweghe, Harmonia Mundi France
Bach, Magnificat, Collegium Vocale Ghent, dir. Philippe Herreweghe, Harmonia Mundi France
Mozart, Piano Concertos 8, 12, 28, Anima Eterna, dir. Jos van Immerseel, Channel Classics
Mozart, Piano Concertos 5, 9, Anima Eterna, dir. Jos van Immerseel, Channel Classics
1991
Beethoven, Chamber Music for Winds, Ricercar Academy, Ricercar
Handel, Concerti Grossi, Op. 3, Tafelmusik, dir. Jeanne Lamon, Sony
Mozart, Symphonies after Serenades, K. 100, 185, 203, 204, 250, 320, Tafelmusik, dir. Bruno Weil, Sony (2 discs)
Gluck, Orfeo ed Euridice, Kammerchor Stuttgart and Tafelmusik, dir. Frieder Bernius, Sony (2 discs)
Bach, Mass in B Minor, Arnold Schoenberg Choir, Salzburg Baroque Orchestra, dir. Hans-Jurgen Walther, Teldec
1992
Haydn, Symphonies 44, 51, 52, Tafelmusik, dir. Bruno Weil, Sony
Haydn, Symphonies 41, 42, 43, Tafelmusik, dir. Bruno Weil, Sony
1993
Mozart, Rondo and Horn Concertos, Ab Koster, Tafelmusik, dir. Bruno Weil, Sony
Gluck, Ballet Pantomimes Don Juan, Semiramis, Tafelmusik, dir. Bruno Weil, Sony
Boccherini, Concertos for Violincello and Orchestra, Overture, Octet, Sinfonia, Anner Bylsma, Tafelmusik, dir. Jeanne Lamon, Sony
Mozart, Piano Concertos, 15, 16, Anima Eterna, dir. Jos van Immerseel, Channel Classics
1994
Haydn, Paris Symphonies, 82, 83, 84, Tafelmusik, dir. Bruno Wiel, Sony
Haydn, Paris Symphonies, 85, 86, 87, Tafelmusik, dir. Bruno Wiel, Sony
Haydn, The Creation, Tölzer Knabenchor, Tafelmusik, dir. Bruno Wiel, Sony (2 discs)
Mendelssohn, Symphonies 3, 4, Anima Eterna, dir. Jos van Immerseel, Channel Classics
1995
Haydn, Symphonies, 88, 89, 90, Tafelmusik, dir. Bruno Wiel, Sony
Haydn, “Heiligmesse,” Motets, Te Deum for Empress Marie Therese, Tölzer
Handel, Choruses from Messiah, His Majestie’s Clerks, dir. Anne Heider, Narada Media
1996
Haydn, “Paukenmesse,” Salve Regina, Motet “O coelitum beati,” Tölzer Knabenchor, Tafelmusik, dir. Bruno Wiel, Sony
Handel, Water Music, Suite from Il pastor fido, Tafelmusik, dir. Jeanne Lamon, Sony
Beethoven, Piano Concertos 1, 2, Jos van Immerseel, Tafelmusik, dir. Bruno Weil, Sony
1997
Handel, Messiah, Apollo’s Fire, dir, Jeannette Sorell, Electra (2 discs)
All Soul’s Vespers: Requiem Music from Cordoba Cathedral, Orchestra of the Renaissance, dir. Richard Cheetham, Virgin Classics
1998
Cherubini, Medée, dir. Bart Folse, Newport Classic (2 discs)
1999
The Marriage of England and Spain (reconstruction employing Taverner, Missa Gloria Tibi Trinitas), Orchestra of the Renaissance, dir. Richard Cheetham, Glossa
Arne, Alfred, Philharmonia Baroque Orchestra, dir. Nicholas McGegan, Deutsche Harmonia Mundi USA
Canticum Canticorum (16th-c. motets), Orchestra of the Renaissance, dir. Richard Cheetham, Glossa
2001
San Francisco Bach Choir, Venetian and German Baroque, dir. David Babbitt
Orchestra of the Renaissance, “Morales Assumption Mass,” dir. Richard Cheetham, Glossa
Orchestra of the Renaissance, Sebastian De Vivanco, “In Manus Tuas,” dir. Richard Cheetham, Glossa
2005
Philharmonia Baroque Orchestra, Domenico Scarlatti, “Cecilian Vespers,” dir. Nicholas McGegan, SACD (2 discs)
2006
Les Voix Humaines, Michel Corrette, “Les Délices de la Solitude,” dir. Susie Napper and Margaret Little, ATMA (soloist); American Bach Soloists, Handel, “Messiah,” dir. Jeffrey Thomas, Delos Int. (2 discs)
2007
American Bach Soloists, Bach, “Brandenburg Concerti,” dir. Jeffrey Thomas, ABS/Magnatune
2011
Philharmonia Baroque Orchestra, Haydn, Symphonies Nos. 104, 88, 101, dir. Nicholas McGegan, Philharmonia Baroque Productions
Reviews
1994
“Constructing an Open Site: Gary Tomlinson’s Music in Renaissance Magic,” an essay-length book review, Journal of Musicological Research, 14: 113-22
2007
Review of Claude V. Palisca, Music and Ideas in the Sixteenth and Seventeenth Centuries (Urbana and Chicago: University of Illinois Press, 2006), Music and Letters 88 (2007): 645-646.
2008
Review of Anthony M. Cummings, MS Florence, Biblioteca Nazionale Centrale, Magl. XIX, 164-167 (Aldershot, 2006), Renaissance Quarterly 61 (2008).
Review of Rudolf Rasch, Driehonderd brieven over muziek van, aan en rond Constantijn Huygens, 2 vols (Hilversum: Uitgeverij Verloren, 2007), Renaissance Quarterly 61 (2008): 989-990.
2010
Review of Margaret M. McGowan, Dance in the Renaissance: European Fashion, French Obsession (New Haven: Yale University Press, 2008), Journal of Modern History 82 (2010): 697-99
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