||Anne C. Shreffler
James Edward Ditson Professor of Music (Graduate Advisor in Historical Musicology)
Affiliate, Department of Germanic Languages and Literatures
Music Building 301S
Anne C. Shreffler’s research interests include the 20th-century musical avant-garde in Europe and America, with special emphasis on the political and ideological associations of new music. Other research interests include historiography, composers in emigration, performance theory, and contemporary opera. Topics of recent articles include the canonization processes in twentieth century music; tradition and rupture in Beethoven and Webern; and different models for politically progressive music in the twentieth century. She co-edited (with former Harvard graduate student David Trippett) a themed issue of the German journal Musiktheorie on Rudolf Kolisch in America. Shreffler is currently working on a book project, entitled Musical Utopias: Progressive Music and Progressive Politics in the Twentieth Century (under contract with University of California Press).
Shreffler began her research career studying the Austrian composer Anton Webern (the topic of her dissertation), has published widely on this composer, including a book, Webern and the Lyric Impulse: Songs and Fragments on Poems by Georg Trakl (Oxford University Press, 1994) as well as the article “'Mein Weg geht jetzt vorueber': The Vocal Origins of Webern's Twelve-Tone Composition,” for which she received the Alfred Einstein Award of the American Musicological Society in 1995.
Shreffler has also written about the music and thought of Elliott Carter, including Elliott Carter: A Centennial Portrait in Letters and Documents (The Boydell Press, 2008), co-authored with Felix Meyer. A co-edited volume with Felix Meyer, Carol Oja, and Wolfgang Rathert, Crosscurrents: American and European Music in Interaction, 1900-2000 (The Boydell Press, 2014), resulted from an international conference held at Harvard and at the Ludwig-Maximilians-Universität in Munich. Her most recent publication is “The International Society for Contemporary Music and Its Political Context (Prague, 1935),” in Music and International History in the Twentieth Century, edited by Jessica Gienow-Hecht.
After receiving a B.Mus. in flute performance in 1979 from New England Conservatory, Shreffler turned to more scholarly pursuits, earning a Master's in music theory from the same institution. She then studied musicology at Harvard, where she got her PhD in 1989; this was immediately followed by an Assistant Professorship at the University of Chicago. From 1994 until 2003 she was a professor at the Musikwissenschaftliches Institut of the University of Basel in Switzerland. She has taught at Harvard since the fall of 2003.
Shreffler serves on advisory and editorial boards of a number of musicological journals and institutions in the U.S., Germany, and Switzerland, including the Paul Sacher Foundation in Basel and the journal Archiv für Musikwissenschaft. She has been elected Vice President of the American Musicological Society and will serve 2014-16. She has also served on several committees of the American Musicological Society including the AMS Council, the AMS-50 Fellowship Committee, and the Program Committee. In 2007-08 she was the recipient of a fellowship from the John Simon Guggenheim Memorial Foundation.
A CV and more information about Anne Shreffler's teaching and research is available at http://harvard.academia.edu/AnneCShreffler