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Music Department Archives 1991-
Music Department Chairs
Norton Lecturers in Music
Louis C. Elson Lectures
Fromm Foundation Commissions
Fromm Professors
Faculty
Curricula
PhD Recipients and Dissertation Titles
Positions Held by Former Graduate Students
Fellowship Recipients
Publications
Conferences
Blodgett Artists in Residence


 

Chairs of the Department of Music


John Knowles Paine
1864-1905

Walter Raymond Spalding
1906-1908/1909-1918/1919-1920/1921-January 1927 (acting 1905-1906)

William C. Heilman
(acting 1908-1909)

Edward Burlingame Hill
1918-1919/1920-1921/1927-1935 (acting until fall 1927)

Walter  Hamor Piston
1935-1938

G. Wallace Woodworth
1938-1942

A. Tillman Merritt
1942-1952/1968-1972

Randall Thompson
1952-1957

John Milton Ward
1957-1961

David Grattan Hughes
1961-1965 (Acting 1981-1982)

Nino Pirrotta
1965-1968 (term ended in March)

Elliot Forbes
1972-1976

Luise Vosgerchian
1976-1980

Christoph Wolff
1980-1981/1982-1985/1986-1988 (acting fall 1990)

Lewis Lockwood
1988-1990 (Acting 1985-1986)

Reinhold Brinkmann
1991-1994

Kay Kaufman Shelemay
1994-1999 (acting 2002, spring 2005)

Thomas Forrest Kelly
1999-2004 (fall)

Ingrid Monson
2005-2008

Anne C. Shreffler
2008-2011

Alexander Rehding
2011-2014



Norton Lecturers in Music

The Charles Eliot Norton Professorship of Poetry at Harvard was establisehd in 1925 asn an annual lectureship in "poetry in the broadest sense and named for the university's former professor of fine arts. Creative figures and scholars in the arts, includingi painting, architeture, and music, deliver a series of lectures which are often then published by the Harvard University Press.

Igor Stravinsky
1939-1940
Poetics of Music

Paul Hindemith
1949-1950
A Composer's World: Horizons and Limitations

Aaron Copland
1951-1952
Music and Imagination

Carlos Chavez
1958-1959
Musical Thought

Leo Schrade
1962-1963
Tragedy in the Art of Music

Roger Sessions
1968-1969
Questions about Music

Leonard Bernstein
1973-1974
The Unanswered Question

Charles Rosen
1980-19891
The Romantic Generation

John Cage
1988-1989
I-VI

Luciano Berio
1993-1994
Remembering the Future

Joseph Kerman
1997-1998
Joseph Kerman
Concerto Conversations

Daniel Barenboim
2006-2007
Sound and Thought



 

Elson Lecturers in Music


The Louis C. Elson Lectures were established in 1944 at the bequest of Bertha A. Elson in memory of her husband.

1948                  
Howard Hanson

1950                  
Arthur Schnabel “Music, Its Function and Limitation”

1952                 
Federico Ghisi  “Three Lectures on Early Italian Music”

1964                 
Kenneth Levy (Brandeis) “Melody and Icon: The Art of Byzantine Music”
Elliott Carter “Time Element in Music”
Daniel Heartz “Mozart, Teacher of Composition”

1968-69           
Alan Tyson “Beethoven: Sketches and Autographs”
Helmut Hucke “A cappella: A Term and an Ideal”

1971-72           
none

1972                       
David Lawton
Robert Marshall
Lewis Lockwood

1973                       
Alan Tyson
Ursula Gunter
H. Colin Slim
Don M. Randel
Mary Remnant
Robert Bailery
Philip Gossett
Lawrence Gushee
Gavin Bryars
Topeng Dance Theatre of Bali, “Masked players in the tales of kings and clowns”

1974                       
Nino Pirrotta “Cantar recitando and recitar cantando”

1975                       
Cornelius Cardew “Music and ideas with reference to his compositions”
Christoph Wolff “Concepts of Order in the Printed Works of J.S. Bach

1993                       
Ligeti

1994                       
Powers

1995                       
Gunther Schuller

1997                       
William Christie

2001                       
Alfred Brendel (canceled)

2002                       
Christopher Hogwood

2003                       
Robert Craft

2004                      
Edward Said (canceled)

2004                       
James Levine

2007                       
John Adams

2009                       
Margaret Bent

2010                       
Alfred Brendel

2012                       
Alvin Curran

Joseph Horowitz



 

Faculty of the Department of Music



1990-1991
Christoph Wolff (Acting Chair, fall) / Reinhold Brinkmann (Chair, spring)

Graeme Boone, Assistant Professor
Reinhold Brinkmann, James Edward Ditson Professor
Ernest Brown, Andrew W. Mellon Faculty Fellow in the Humanities
David G. Hughes, Fanny P. Mason Professor
David Lewin, Professor of Music
Lewis Lockwood, Fanny Peabody Professor
Donald Martino, Walter Bigelow Rosen Professor of Music
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Margaret Mertz, Lecturer
Leonard B. Meyer, Visiting Professor (University of Pennsylvania)
Stephen Mosko, Associate Professor
Michael Ochs, Senior Lecturer (Librarian)
Rulan C. Pian, Professor of East Asian Languages and Civilizations and of Music
Bernard Rands, Professor
Lee Rothfarb, Gardner Cowles Associate Professor of the Humanities
Russell Sherman, Visiting Professor (New England Conservatory of Music)
John Stewart, Senior Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Luise Vosgerchian, Walter W. Naumburg Professor of Music
Christoph Wolff, William Powell Mason Professor
Randall Woolf, Lecturer
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)

1991-1992
Reinhold Brinkmann, Chair

Graeme Boone, Assistant Professor
Mark Evan Bonds, Visiting Professor (Boston University)
Reinhold Brinkmann, James Edward Ditson Professor
David G. Hughes, Fanny P. Mason Professor
Adelyn Peck Leverett, Assistant Professor
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Donald Martino, Walter Bigelow Rosen Professor of Music
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Stephen Mosko, Associate Professor
Michael Ochs, Senior Lecturer (Librarian)
Rulan C. Pian, Professor of East Asian Languages and Civilizations and of Music
Bernard Rands, Professor
Lee Rothfarb, Gardner Cowles Associate Professor of the Humanities
Kay Kaufman Shelemay, Visiting Professor (Wesleyan University)
Gunther Schuller, Fromm Visiting Professor (New England Conservatory of Music)
Maynard Solomon, Visiting Professor
John Stewart, Senior Preceptor
Lucy Chapman Stoltzman, Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor
Yehudi Wyner, Visiting Professor (Brandesi University)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)

1992-1993
Reinhold Brinkmann, Chair

Carolyn Abbate, Visiting Professor (Princeton University)
Graeme Boone, Assistant Professor
Reinhold Brinkmann, James Edward Ditson Professor
John B. Howard, Richard F. French Librarian, Senior Lecturer
David G. Hughes, Fanny P. Mason Professor
Peter Jeffery, Visiting Professor
Adelyn Peck Leverett, Assistant Professor
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Donald Martino, Walter Bigelow Rosen Professor of Music
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Bernard Rands, Professor
Lee Rothfarb, Gardner Cowles Associate Professor of the Humanities
Kay Kaufman Shelemay, Professor
Jeffrey Stadelman, Lecturer
John Stewart, Senior Preceptor
Lucy Chapman Stoltzman, Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
Yehudi Wyner, Visiting Professor (Brandesi University)
James D. Yannatos, Senior Lectureron Music (Conductor of the Harvard-Radcliffe Orchestra)

1993-1994
Reinhold Brinkmann, Chair

Carol Babiracki, Visiting Assistant Professor of Music (Brown University)
Luciano Berio, Charles Eliot Norton Professor of Poetry
Graeme Boone, Associate Professor of Music
Anthony Brandt, Instructor in Music
Reinhold Brinkmann, James Edward Ditson Professor
David E. Cohen, Visiting Asistant Professor of Music (Tufts University)
Mario Davidovsky, Professor of Music
John B. Howard, Richard F. French Librarian, Senior Lecturer
David G. Hughes, Fanny P. Mason Professor of Music
Jeffrey Kallbereg, Visiting Associate Professor of Music (University of Pennsylvania)
David Kopp, Visiting Lecturer on Music (Brandeis University)
Adelyn Peck Leverett, Assistant Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Roger Marsh, Visiting Professor of Music (University of York)
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Bernard Rands, Walter Bigelow Rosen Professor
Lee Rothfarb, Gardener Cowles Associate Professor of the Humanities
Kay Kaufman Shelemay, Professor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)
Jeremy Yudkin, Visiting Assistant Professor of Music (Boston University)

1994-1995
Kay Kaufman Shelemay, Chair

Judith O. Becker, Visiting Professor (University of Michigan-Ann Arbor)
Luciano Berio, Distinguished Composer in Residence

Graeme Boone, Assistant Professor
Reinhold Brinkmann, James Edward Ditson Professor
Mario Davidovsky, Fanny P. Mason Professor
Virginia Danielson, Lecturer in Music
John B. Howard, Richard F. French Librarian, Senior Lecturer
Betsy Jolas, Visiting Professor of Music (Fromm Foundation)
Thomas F. Kelly, Professor of Music
Robert L. Kendrick, Assistant Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Jeff Nichols, Assistant Professor of Music
Bernard Rands, Professor
Mark Slobin, Visiting Professor of Music (Wesleyan University)
Deborah Stein Visiting Professor of Music (New England Conservatoryof Music)
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
James D. Yannatos, Senior Lecture ron Music (Conductor of the Harvard-Radcliffe Orchestra)


1995-1996
Kay Kaufman Shelemay, Chair

Alexandra Amati-Camperi, Lecturer on Music
Carol Babiracki, Assistant Professor of Music
Luciano Berio, Distinguished Composer in Residence
Reinhold Brinkmann, James Edward Ditson Professor
David Cohen, Assistant Professor of Music
Mario Davidovsky, Fanny P. Mason Professor
John B. Howard, Richard F. French Librarian, Senior Lecturer
Thomas F. Kelly, Professor of Music
Robert L. Kendrick, Assistant Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Jeff Nichols, Assistant Professor of Music
Harold Powers, Visiting Professor of Music (Princeton University)
Bernard Rands, Professor
Elaine Sisman, Visiting Professor of Music (Columbia University)
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
James D. Yannatos, Senior Lecture on Musicr (Conductor of the Harvard-Radcliffe Orchestra)

1996-1997
Kay Kaufman Shelemay, Chair

Dwight Andrews, Quincy Jones Visiting Professor of Afro[American Music (Emory University)
Carol Babiracki, Assistant Professor of Music
Luciano Berio, Distinguished Composer in Residence
Anthony Brandt Lecturer on Music
Reinhold Brinkmann, James Edward Ditson Professor
David Cohen, Assistant Professor of Music
Mario Davidovsky, Fanny P. Mason Professor
Michael Gandolfi, Visiting Lecturer
John B. Howard, Richard F. French Librarian, Senior Lecturer
John Andrew Johnson, Lecturer on Music
Thomas F. Kelly, Professor of Music
Robert L. Kendrick, Assistant Professor of Music
Arthur V. Kreiger, Visiting Associate Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Marjorie Merryman, Visiting Associate Professor of Music
Jeff Nichols, Assistant Professor of Music
Pierluigi Petrobelli Lauro de Bosis Lectureship in the History of Italian Civilization
Bernard Rands, Professor
Mark Risinger, Lecturer on usic
Carl Schachter, Visiting Associate Professor of Music

Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
Yehudi Wyner, Visiting Professor of Music (Brandeis University)
James D. Yannatos, Senior Lecture on Musicr (Conductor of the Harvard-Radcliffe Orchestra)

1997-1998

Kay Kaufman Shelemay, Chair (spring): Thomas F. Kelly, Acting Chair (fall)

Carol Babiracki, Assistant Professor of Music
Reinhold Brinkmann, James Edward Ditson Professor
David Cohen, Assistant Professor of Music
Virginia Danielson, Lecturer on Music
Mario Davidovsky, Fanny P. Mason Professor
Michael Gandolfi, Visiting Lecturer (New England Conservatory)
John B. Howard, Richard F. French Librarian, Senior Lecturer
Andrew Imbrie, Fromm Foundation Visiting Professor
Thomas F. Kelly, Professor of Music
Jospeph Kerman, Charles Eliot NOrton Professor of Poetry
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Katarina Livljanic, Lecturer on Music
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Jeff Nichols, Assistant Professor of Music
Paul Op de Coul, Erasmus Lecturer on the History and Civilization of the Netherlands and Flanders
Karen Painter, Assistant Professor of Music
Ronald Radano, Quincy Jones Visiting Professor of Afro-American Music
Bernard Rands, Walter Bigelow Rosen Professor of Music
Mark Risinger, Lecturer on Music
Carl Schachter, Visiting Associate Professor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Ivan A. Tcherepnin, Senior Lecturer (Director of Electronic Studio)
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
Yehudi Wyner, Visiting Professor of Music (Brandeis University)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)

1998-1999
Kay Kaufman Shelemay, Chair

Carol Babiracki, Assistant Professor of Music
Luciano Berio, Distinguished Composer in Residence
Reinhold Brinkmann, James Edward Ditson Professor
David Cohen, Assistant Professor of Music
Mario Davidovsky, Fanny P. Mason Professor
Beverley Diamond, Visiting Professor of Music (York University)
Michael Gandolfi, Visiting Lecturer on Music (New England Conservatory)
Thomas F. Kelly, Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Patrick Macey, Visiting Professor of Music (Eastman School of Music)
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Charles McGuire, Lecturer on Music
Ingrid Monson, Quincy Jones Visiting Assistant Professor of African American Music (Washington University in St. Louis)
John Nadas, Visiting Professor of Music (Univresity of North Carolina-Chapel Hill)
Jeff Nichols, Assistant Professor of Music
Deborah Pacini-Hernandez, Visiting Associate Professor of Romance Languages and Literatures (Brown University)
Karen Painter, Assistant Professor of Music
Bernard Rands, Walter Bigelow Rosen Professor of Music
David Rakowski, Visiting Associate Professor of Music (Brandeis University)
Mark P. Risinger, Lecturer on Music
Janet Schmalfeldt, Visiting Professor of Music (Tufts University)
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
Yehudi Wyner, Visiting Professor of Music (Brandeis University)
James D. Yannatos,Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)


1999-2000
Thomas Forrest Kelly, Chair

Kofi Agawu, Visiting Professor of Music (Princeton University)
Noel Bisson, Lecturer on Music

Reinhold Brinkmann, James Edward Ditson Professor
David Cohen, Assistant Professor of Music
Mario Davidovsky, Fanny P. Mason Professor
David Horne, Lecturer on Music
Laura Kozachek, Lecturer on Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Jeff Nichols, Assistant Professor of Music
Karen Painter, Assistant Professor of Music
Bernard Rands, Walter Bigelow Rosen Professor of Music
Mark P. Risinger, Lecturer on Music
David Rosen, Visiting Professor of Music (Cornell University)
Kay Kaufman Shelemay, Professor of Music
Kurt Stallmann, Lecturer on Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Richard Wolf, Assistant Professor of Music
Christoph Wolff, William Powell Mason Professor (Dean of the Graduate School of Arts and Sciences)
James D. Yannatos,Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)

 

2000-2001
Thomas Forrest Kelly, Chair

Reinhold Brinkmann, James Edward Ditson Professor
Mauro Calcagno, Assistant Professor of Music
David Cohen, Assistant Professor of Music
Barry E. Conyngham, Visiting Professor of Australian Studies
Virginia Danielson, Lecturer on Music
Mario Davidovsky, Fanny P. Mason Professor
Joshua Fineberg, Assistant Professor of Music
Edward Gollin, Preceptor in Music
Alan Gosman, Lecturer on Music
Thomas D. Kozachek, Lecturer on Music

Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Jeff Nichols, Assistant Professor of Music
Karen Painter, Assistant Professor of Music
Bernard Rands, Walter Bigelow Rosen Professor of Music
David Rakowski, Visiting Associate Professor of Music (Brandeis University)
Mark P. Risinger, Lecturer on Music
Kay Kaufman Shelemay, Professor of Music
Kurt Stallmann, Assistant Professor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor
Peter Urquhart, Visiting Professor of Music
Richard Wolf, Assistant Professor of Music
Christoph Wolff, William Powell Mason Professor (Curator of the Isham Memorial Library)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)




2001-2002
Thomas Forrest Kelly, Chair (on leave, spring term)

Reinhold Brinkmann, James Edward Ditson Professor
Mauro Calcagno, Assistant Professor of Music
Jen-yen Chen, Lecturer on Music
David Cohen, Assistant Professor of Music
Mario Davidovsky, Fanny P. Mason Professor
David Fallows, Visiting Professor of Music
Joshua Fineberg, Assistant Professor of Music
Alexander Fisher, Lecturer on Music
Michael Gandolfi, Lecturer on Music
Jeffrey Goldberg, Preceptor in Music
Edward Gollin, Lecturer on Music

Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Lewis Lockwood, Fanny Peabody Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Ingrid Monson, Quincy Jones Professor of African American Music
Jeff Nichols, Assistant Professor of Music
Deborah Pacini-Hernandez, Visiting Professor of Music
Karen Painter, Assistant Professor of Music
Bernard Rands, Walter Bigelow Rosen Professor of Music

Kay Kaufman Shelemay, Professor of Music (Acting Chair, spring term)
Kurt Stallman, Assistant Professor of Music
Ruth Solie, Visiting Professor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor in Music
Leo Treitler, Visiting Professor of Music
Richard Wolf, Assistant Professor of Music
Christoph Wolff, William Powell Mason Professor (Curator of the Isham Memorial Library)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)




2002-2003
Thomas Forrest Kelly, Chair

Reinhold Brinkmann, James Edward Ditson Professor
Laurence Berman, Visiting Professor of Music
Mauro Calcagno, Assistant Professor of Music
Judah Cohen, Lecturer on Music (Core Fellow)
Mario Davidovsky, Fanny P. Mason Professor
Virginia Danielson, Lecturer on Music
Joshua Fineberg, Assistant Professor of Music
Sean Gallagher, Assistant Professor of Music
Edward Gollin, Lecturer on Music

Elliott Gyger, Assistant Professor of Music
Christopher Hasty, Professor of Music
Lee Hyla, Visiting Professor of Music
Arthur Kreiger, Visiting Associat Professor of Music (Connecticut College)
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
David Lewin, Walter W. Naumburg Professor
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Ingrid Monson, Quincy Jones Professor of African American Music
Karen Painter, Assistant Professor of Music
Thomas Peattie, Lecturer on Music
Bernard Rands, Walter Bigelow Rosen Professor of Music

Kay Kaufman Shelemay, Professor of Music
Jurg Stenzl, Visiting Professor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor in Music
Jane Sugarman, Visiting Associate Professor of Music
Judith Tick, Visiting Professor of Music
Richard Wolf, Assistant Professor of Music
Christoph Wolff, William Powell Mason Professor (Curator of the Isham Memorial Library)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)

2003-2004
Thomas Forrest Kelly, Chair

Deborah Burton, Lecturer on Music
Mauro Calcagno, Assistant Professor of Music
Eric Chasalow, Visiting Professor of Music (Brandeis University)
Mario Davidovsky, Fanny P. Mason Professor
Joshua Fineberg, John L Loeb Associate Professor of the Humanities
Sean Gallagher, Assistant Professor of Music
Elliott Gyger, Assistant Professor of Music
Jim Haar, visiting Professor of Music (UNC, emeritus)
Christopher Hasty, Walter W. Naumburg Professor of Music
Arthur Kreiger, Visiting Associat Professor of Music (Connecticut College)
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
Jameson N. Marvin, Senior Lecturer (Director of Choral Studies)
Lansing McLoskey, Lecturer on Music
Ingrid Monson, Quincy Jones Professor of African American Music
Carol Oja, William Powell Mason Professor of Music
Karen Painter, Associate Professor of Music
Thomas Peattie, Lecturer on Music
Bernard Rands, Walter Bigelow Rosen Professor of Music
Alexander Rehding, Assistant Professor of Music
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music
Anne Shreffler, James Edward Ditson Professor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor in Music
Andrew Talle, Lecturer in Music
Judith Weir, Fromm visiting Professor of Music
Richard Wolf, Harris K. Weston Associate Professor of the Humanities
Christoph Wolff, Adams University Professor
Yehudi Wyner, Visiting Professor of Music(Brandeis University)
James D. Yannatos, Senior Lecturer on Music (Conductor of the Harvard-Radcliffe Orchestra)
Su Zheng, Visiting Professor of Music (Wesleyan University)

2004-2005
Thomas Forrest Kelly, Harvard College Professor, Chair (fall term)
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and Professor of African and Afri can American Studies; Chair (spring term)

Julian Anderson, Professor of Music
Daniel Beller-McKenna, Visiting Associate Professor of Music (University of New Hampshire)
Harrison Birtwistle, Lecturer on Music
Ignace Bossuyt, Erasmus Lecturer on the History and Civilization of the Netherlands and Flanders (Katholieke Universiteit Leuven, Belgium)
Mauro Calcagno, Associate Professor of Music
Virginia Danielson, Lecturer on Music
Joshua Fineberg, John L. Loeb Associate Professor of the Humanities
Sean Gallagher, Assistant Professor of Music
Elliott Gyger, Assistant Professor of Music
Christopher Hasty, Walter W. Naumburg Professor of Musi
Mary Hunter, Visiting Professor of Music (Bowdoin College)
Thomas Forrest Kelly, Harvard College Professor and Morton B. Knafel Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music; Head Tutor
Jameson N. Marvin, Senior Lecturer on Music, Director of Choral Activities
Lansing McLoskey, Lecturer on Music
Ingrid Monson, Quincy Jones Professor of African American Music, Supported by the Time Warner
Endowment
Carol Oja, William Powell Mason Professor of Music
Karen Painter, Associate Professor of Music
Bernard Rands, Walter Bigelow Rosen Professor of Music
Julia Randel, Lecturer on Music
Alexander Rehding, Assistant Professor of Music
Edward Roesner, Visiting Professor of Music (New York University)
Janet Schmalfeldt, Visiting Associate Professor of Music (Tufts University)
Anne Shreffler, James Edward Ditson Professsor of Music
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor in Music
Hans Tutschku, Associate Professor of Music
Denise Von Glahn, Visiting Associate Professor of Music (Florida State University)
Sarah Weiss, Visiting Assistant Professor of Music (University of North Carolina, Chapel Hill)
Richard Wolf, Harris K. Weston Associate Professor of the Humanities
Christoph Wolff, Adams University Professor
James D. Yannatos, Senior Lecturer on Music, Conductor of the Harvard-Radcliffe Orchestra

2005-2006
Ingrid Monson, Quincy Jones Professor of African American Music, Supported by the Time Warner Endowment, Chair

Carolyn Abbate, Fanny Peabody Professor of Music; Radcliffe Alumnae Professor at Radcliffe Institute for Advanced Study
Julian Anderson, Fanny P. Mason Professor of Music
Mauro Calcagno, Associate Professor of Music
Chaya Czernowin, Visiting Professor of Music (University of California, San Diego)
Joshua Fineberg, John L. Loeb Associate Professor of the Humanities
Sean Gallagher, Associate Professor of Music
Elliott Gyger, Assistant Professor of Music
Christopher Hasty, Walter W. Naumburg Professor of Music
Thomas Forrest Kelly, Harvard College Professor and Morton B. Knafel Professor of Music
Allan Keiler, Visiting Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
Magnus Lindberg, Fromm Professor of Music
Rodney Lister, Lecturer on Music
Jameson N. Marvin, Senior Lecturer on Music, Director of Choral Activities
Carol Oja, William Powell Mason Professor of Music
Karen Painter, Associate Professor of Music
Matthew Peattie, Lecturer on Music
Thomas Peattie, Visiting Assistant Professor of Music
Alexander Rehding, Gardner Cowles Associate Professor of Music
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and Professor of African and African American Studies
Anne Shreffler, James Edward Ditson Professsor of Music
Daniel Stepner, Preceptor in Music
Howard Stern, Lecturer on Music
John Stewart, Senior Preceptor in Music
Hans Tutschku, Associate Professor of Music
Chris Washburne, Visiting Assistant Professor of Music (Columbia University)
Richard Wolf, Harris K. Weston Associate Professor of the Humanities
Christoph Wolff, Adams University Professor, Curator of the Isham Memorial Library
James D. Yannatos, Senior Lecturer on Music, Conductor of the Harvard-Radcliffe Orchestra

2006-2007
Ingrid Monson, Quincy Jones Professor of African American Music, Supported by the Time Warner Endowment, Department Chair

Carolyn Abbate, Fanny Peabody Professor of Music; Radcliffe Alumnae Professor at Radcliffe Institute for Advanced Study
Kofi Agawu Walter Bigelow Rosen Professor of Music and Professor of African and African American Studies
Julian Anderson, Fanny P. Mason Professor of Music
Daniel Barenboim, Eliot Norton Professor of Poetry at Harvard
Mauro Calcagno, Associate Professor of Music
Suzannah Clark, Visiting Assistant Professor of Music (University of Oxford, Merton College)
Joshua Fineberg, John L. Loeb Associate Professor of the Humanities
Sean Gallagher, Associate Professor of Music
Elliott Gyger, Assistant Professor of Music
Tomie Hahn, Visiting Associate Professor of Music (Renssalear Polytechnic Institute)
Christopher Hasty, Walter W. Naumburg Professor of Music
Thomas Forrest Kelly, Morton B. Knafel Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
Jameson N. Marvin, Senior Lecturer on Music, Director of Choral Activities
Carol Oja, William Powell Mason Professor of Music
Karen Painter, Associate Professor of Music
Guthrie P. Ramsey Jr., Visiting Associate Professor of Music (University of Pennsylvania)
Matthew Peattie, Lecturer on Music
Alexander Rehding, Gardner Cowles Associate Professor of Music
Gunther Schuller, Fromm Professor of Composition
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and Professor of African and African American Studies
Anne Shreffler, James Edward Ditson Professsor of Music
Daniel Stepner, Preceptor in Music
Howard Stern, Lecturer on Music
John Stewart, Senior Preceptor in Music
Hans Tutschku, Associate Professor of Music
Richard Wolf, Harris K. Weston Associate Professor of the Humanities
Christoph Wolff, Adams University Professor Curator of the Isham Memorial Library
James D. Yannatos, Senior Lecturer on Music, Conductor of the Harvard-Radcliffe Orchestra

2007-2008
Ingrid Monson, Quincy Jones Professor of African American Music, Supported by the Time Warner
Endowment, Chair

Carolyn Abbate, Fanny Peabody Professor of Music; Radcliffe Alumnae Professor at Radcliffe Institute for Advanced Study
Mauro Calcagno, Associate Professor of Music
Brian Ferneyhough, Visiting Professor of Music (Stanford University)
Allen Forte, Visiting Professor (Yale University, emeritus)
Sean Gallagher, Associate Professor of Music
Matthew Gelbart, Visiting Lecturer
Mary Greitzer, Visiting Lecturer
Elliott Gyger, Assistant Professor of Music
Christopher Hasty, Walter W. Naumburg Professor of Music
Thomas Forrest Kelly, Morton B. Knafel Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
Helmut Lachenmann, Fromm Professor of Composition
Jameson N. Marvin, Senior Lecturer on Music, Director of Choral Activities
Carol Oja, William Powell Mason Professor of Music
Alexander Rehding, Professor of Music gardner cowles?
Sindhu Revuluri, Assistant Professor of Music
Julie Rohwein, Lecturer on Music
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and Professor of African and African American Studies
Anne Shreffler, James Edward Ditson Professsor of Music
Jason Stanyek, Visiting Professor of Music (New York University)
Daniel Stepner, Preceptor in Music
John Stewart, Senior Preceptor in Music
Hans Tutschku, Gardner Cowles Associate Professor of Music, Graduate Advisor for Composition
Nicholas Vines, Lecturer on Music
Richard Wolf, Harris K. Weston Associate Professor of the Humanities
Christoph Wolff, Adams University Professor; Curator of the Isham Memorial Library
Yehudi Wyner, Visiting Lecturer on Music
James D. Yannatos, Senior Lecturer on Music, Conductor of the Harvard-Radcliffe Orchestr

2008-2009
Anne Shreffler, James Edward Ditson Professsor of Music, Chair

Margaret Bent, Visiting Professor of Music (Oxford University)
Richard Beaudoin, Lecturer on Music
Suzannah Clark, Associate Professor of Music
Jody Diamond, Visiting Lecturer on Music (Dartmouth College)
Sean Gallagher, Associate Professor of Music
Michael Gandolfi, Visiting Composer (New England Conservatory)
Peter Gilbert, Lecturer on Music
Dana Gooley, Visiting Lecturer on Music
Mary Greitzer, Lecturer on Music
Robert Hasegawa, Lecturer on Music
Christopher Hasty, Walter W. Naumburg Professor of Music
Ellie Hisama, Visiting Professor of Music (Columbia University)
Thomas Forrest Kelly, Morton B. Knafel Professor of Music
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music
Lewis Lockwood, Fanny Peabody Research Professor of Music
Jameson N. Marvin, Senior Lecturer on Music, Director of Choral Activities
Ingrid Monson, Quincy Jones Professor of African American Music, Supported by the Time Warner
Endowment
Carol Oja, William Powell Mason Professor of Music
Alexander Rehding, Professor of Music??fpeaboyd?
Sindhu Revuluri, Assistant Professor of Music
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and Professor of African and African American Studies
Daniel Stepner, Preceptor in Music
Judith Tick, Visiting Professor of Music (Northeastern University)
Hans Tutschku, Professor of Music
Nicholas Vines, Lecturer on Music
Richard Wolf, Professor of Music
Christoph Wolff, Adams University Professor; Curator of the Isham Memorial Library
James D. Yannatos, Senior Lecturer on Music, Conductor of the Harvard-Radcliffe Orchestra

2009-2010
Anne Shreffler, James Edward Ditson Professsor of Music, Chair

William Bares, College Fellow in the Music Department
Richard Beaudoin, Lecturer on Music
Suzannah Clark, Gardner Cowles Associate Professor of Music
Federico Cortese, Senior Lecturer on Music
Chaya Czernowin, Walter Bigelow Rosen Professor of Music
Sean Gallagher, Associate Professor of Music
Christopher Hasty, Walter W. Naumburg Professor of Music
Thomas F. Kelly, Morton B. Knafel Professor of Music
Robert D. Levin, Dwight P. Robinson Jr. Professor of Music
Jameson N. Marvin, Senior Lecturer on Music
Ingrid Monson, Quincy Jones Professor of African-American Music
Simon Morrison, Visiting Professor of Music (Princeton University)
Carol J. Oja, William Powell Mason Professor of Music
Olaf Post, Preceptor in Music
Alexander Rehding, Fanny Peabody Professor of Music
Sindhumathi Revuluri, Assistant Professor of Music
Matthias Roeder, College Fellow in the Music Department
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music & Professor of African and African-American Studies
Rand Steiger, Visiting Professor of Music, University of California, San Diego
Dan Stepner, Preceptor in Music
Hans Tutschku, Fanny P. Mason Professor of Music
Nicholas Vines, Lecturer on Music
Richard K. Wolf, Professor of Music
Christoph Wolff, Adams University Professor
Rob Zuidam, Erasmus Lecturer on the History and Civilization of the Netherlands and Flanders

2010-2011
Anne C. Shreffler, James Edward Ditson Professor of Music (Chair)

William Bares, College Fellow in the Music Department
Richard Beaudoin, Lecturer on Music
Andrew Clark, Senior Lecturer on Music, Director of Choral Activities
Suzannah Clark, Gardner Cowles Associate Professor of Music
Federico Cortese, Senior Lecturer on Music, Director of the Harvard Radcliffe Orchestra
Chaya Czernowin, Walter Bigelow Rosen Professor of Music
Christopher Hasty, Walter W. Naumburg Professor of Music
Thomas F. Kelly, Morton B. Knafel Professor of Music
Robert D. Levin, Dwight P. Robinson Jr. Professor of Music
Lewis Lockwood, Fanny Peabody Research Professor
Evan MacCarthy, College Fellow in the Music Department
Drew Massey, Lecturer on Music
Ingrid Monson, Quincy Jones Professor of African-American Music supported by the Time Warner Endowment
(interim Dean of the Arts and Humanities, 2010-11)
Carol J. Oja, William Powell Mason Professor of Music
Olaf Post, Preceptor in Music
Alexander Rehding, Fanny Peabody Professor of Music
Sindhumathi Revuluri, Assistant Professor of Music
Matthias Roeder, College Fellow in the Music Department
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music & Professor of African and African-
American Studies
Dan Stepner, Preceptor in Music
Hans Tutschku, Fanny P. Mason Professor of Music
Richard K. Wolf, Professor of Music
Christoph Wolff, Adams University Professor

2011-2012
Alexander Rehding, Chair, fall
Anne C. Shreffler, James Edward Ditson Professor of Music (Acting Chair, spring)

Jane Alden, Visiting Associate Professor ofo Music (Wesleyan University) (spring term)
Richard Beaudoin, Preceptor in Music
Andrew Clark, Senior Lecturer on Music, Director of Choral Music at Harvard
Suzannah Clark, Gardner Cowles Associate Professor of Music
Federico Cortese, Senior Lecturer on Music, Director of the Harvard Radcliffe Orchestra
Chaya Czernowin, Walter Bigelow Rosen Professor of Music, Graduate Advisor in Composition)
Serigo Durante, Lauro De Bosis Lecturer (University of Padua) (fall term)
Ellen Exner, Lecturer on Music
Christopher Hasty, Walter W. Naumburg Professor of Music, Graduate Advisor in Theory, spring 2012 (on leave fall term)
Daniel Henderson, Lecturer on Music
Jill Johnson, Senior Lecturer on Music, Director of Dance at Harvard
David Kaminsky, Lecturer on Music (fall term)
Liz Lerman, Lecturer on Dance (fall term)
Thomas F. Kelly, Morton B. Knafel Professor of Music, Head Tutor
Robert D. Levin, Dwight P. Robinson Jr. Professor of Music (on leave fall term)
Evan MacCarthy, College Fellow in the Music Department
Ingrid Monson, Quincy Jones Professor of African-American Music supported by the Time Warner Endowment, Graduate Advisor in Ethnomusicology
Carol J. Oja, William Powell Mason Professor of Music, Director of Graduate Studies, Graduate Advisor in Historical Musicology
Olaf Post, Preceptor in Music
Alexander Rehding, Fanny Peabody Professor of Music, Chair, fall term, Graduate Advisor in Theory, fall term (on leave spring term)
Sindhumathi Revuluri, Assistant Professor of Music, Assistant Head Tutor
Martin Scherzinger, Visiting Professor of Music (NYU Steinhardt School) (spring term)
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music & Professor of African and African-
American Studies (on leave 2011-2012)
Anne C. Shreffler, James Edward Ditson Professor of Music, acting chair, spring term (on leave fall term)
Dan Stepner, Preceptor in Music
Hans Tutschku, Fanny P. Mason Professor of Music
Richard K. Wolf, Professor of the Humanities

2012-2013
Alexander Rehding, Chair

Carolyn Abbate, Professor of Music [appointment begins 1/2013]
John Luther Adams, Visiting Lecturer (spring 2013)
Richard Beaudoin, Preceptor in Music
Andrew Clark, Senior Lecturer on Music, Director of Choral Music at Harvard
Suzannah Clark, Professor of Music (Head Tutor, spring)
Federico Cortese, Senior Lecturer on Music, Conductor of the Harvard-Radcliffe
Orchestra
Chaya Czernowin, Walter Bigelow Rosen Professor of Music (on leave fall 2012)
Scott Edwards, Harvard College Fellow
Larry Hamberlin, Visiting Associate Professor of Music (Middlebury College) (spring 2013)
Christopher Hasty, Walter W. Naumburg Professor of Music (Graduate Advisor in Theory)
Daniel Henderson, Lecturer on Music
Jill Johnson, Senior Lecturer on Music, Director of Dance at Harvard
Thomas Forrest Kelly, Morton B. Knafel Professor of Music, Head Tutor (on leave spring 2013)
Robert D. Levin, Dwight P. Robinson, Jr. Professor of Music (on leave fall 2012)
Wayne Marshall, Lecturer on Music
Ingrid Monson, Quincy Jones Professor of African American Music, Supported by the Time Warner Endowment (on leave 2012-13)
Carol Oja, William Powell Mason Professor of Music (on leave 2012-13)
Olaf Post, Preceptor in Music
Alexander Rehding, Chair, Fanny Peabody Professor of Music
Roger Reynolds, Fromm Foundation Visiting Professor (fall 2012)
Sindhumathi Revuluri, Associate Professor of Music (on leave 2012-13)???appointment?
Kay Kaufman Shelemay, G. Gordon Watts Professor of Music and Professor of
African and African American Studies (Director of Graduate Studies/Graduate Advisor in Ethnomusicology)
Anne Shreffler, James Edward Ditson Professor of Music (Graduate Advisor in Musicology)
Daniel Stepner, Preceptor in Music
Hans Tutschku, Fanny P. Mason Professor of Music (Graduate Advisor in Composition)
Kate van Orden, Visiting Professor of Music (University of California, Berkeley) (fall 2012)
Richard Wolf, Professor of the Humanities (on leave 2012-13)
Amnon Wolman, Schustermann Fellow (fall 2012)


 

CURRICULA

 

1990-1991

Musicianship. Stewart
A Survey of Western Art Music. Mertz
Fundamentals of Music Theory I & II. Wolff
Introduction to African American Music. Brown
Theory I. Stewart
Medieval Music: A Survey. Hughes
Renaissance Music: A Survery. Lockwood
Choral Conducting I. Marvin
Theory II. Tcherepnin
Counterpoint. Rothfarb
Beginning Orchestration and Conducting. Yannatos
Advanced Orchestration and Conducting. Yannatos
Proseminar in Composition. Rands
Studies in Analysis. Martino
Music History Proseminar: Music and Poetry in the 15th Century. Boone
Topics in Music History: 20th Century Opera. Mertz
Chamber Music: Topics in Music History. Mertz
Topics in Electronic Music. Tcherepnin
Composition in the Digital Electronic Medium. Tcherepnin
Seminar in Performance and Analysis. Sherman
Topics in Ethnomusicology. Pian, Boone, Ochs
Music in the Chinese Context. Pian
Music Bibliography. Ochs
Exercises in Tonal Writing and Analysis. Stewart
Current Methods in Musicology: Seminar. Wolff
Medieval Notation: Seminar. Hughes
Post World War II Composers: Seminar. Mosko
Renaissance Music: Seminar. Lockwood
Baroque Music: Seminar. Wolff
19th-Century Music: Seminar. Brinkmann
History of Music theory: Seminar. Hughes
Schenkerian Analysis. Rothfarb
Style, History, and the Music of Romanticism: Seminar. Meyer
Composition Seminar. Rands
Composition Seminar. Martino
Doctoral Colloquium. Brinkmann

Core Program
Literature and Arts B-52. Style and Meaning in Music. Hughes
Literature and Arts B-55. Opera: Perspectives on Music and Drama. Lockwood
Literature and Arts B-64. The Symphonic Century: Orchestral Music from 1820-1914. Brinkmann
Literature and Arts B-71. Jazz: An American Music. Boone
Literature and Arts B-73. Aesthetic Pluralism: 20th-Century American Music. Mosko

1991-1992

Musicianship. Stewart
A Survey of Western Art Music. Leverett
Fundamentals of Music Theory I & II. Tcherepnin, Mosko
Introduction to African American Music. Brown
Theory I. Stewart
17th- and 18th-Century Music: A Survey. Bonds
19th- and 20th-Century Music: A Survery .Brinkmann
Choral Conducting I. Marvin
Topics in Music History: Schubert, Mendelssohn, and Schumann. Hughes
Theory II. Rothfarb
Counterpoint. Lewin
Beginning Orchestration and Conducting. Yannatos
Advanced Orchestration and Conducting. Yannatos
Composition in the Electronic Medium. Tcherepnin
Proseminar in Composition. Rands, Mosko
Studies in Analysis. Martino
Compositional Studies. Mosko
Theory: Proseminar. Rothfarb
Music History Proseminar. Leverett
Seminar in Performance and Analysis. Wyner
Topics in Ethnomusicology. Pian, Boone
Music in the Chinese Context. Pian
Music Bibliography. Ochs
Exercises in Tonal Writing and Analysis. Stewart
Ethnomusicology: Seminar. Shelemay
Chant: Seminar. Hughes
Topics in Medieval Polyphony: Seminar. Hughes
Renaissance Music: Seminar. Boone
Baroque Music: Seminar. Wolff
18th-Century Music: Seminar. Solomon
20th-Century Music Seminar: Schoenberg in America. Brinkmann
Music Theory Around 1900: Seminar. Rothfarb
Topics in Music Theory I. Seminar. Lewin
Topics in Music Theory II Seminar. Lewin
Composition Seminar. Rands
Composition Seminar. Martino
Doctoral Colloquium. Wolff

Core Program
Literature and Arts B-52. Style and Meaning in Music. Hughes
Literature and Arts B-53. Sonata, Concerto, Sinfonia: Perspectives on Instrumental Music. Wolff
Literature and Arts B-71. Jazz: An American Music. Boone
Literature and Arts B-73. Aesthetic Pluralism: 20th-Century American Music. Mosko
Literature and Arts B-75. Composing Music Since 1950. Rands

Interdepartmental Course
VES 158. Sound and Image: Studio Course. Tcherepnin, Guzzetti

1992-1993

Musicianship. Stewart
A Survey of Western Art Music. Leverett, Kilroy
Fundamentals of Music Theory. Stadelman
The Origins of Rock and Roll. Boone
Theory I. Stewart
Group for New Music. Stadelman
Medieval Music: A Survey. Jeffery
Renaissance Music: A Survery Lockwood
Music and Communication. Tcherepnin
Advanced Choral Conducting. Marvin
Topics in Music History: Schubert, Mendelssohn, and Schumann. Hughes
Theory II. Rothfarb
Counterpoint. Lewin
Beginning Orchestration and Conducting. Yannatos
Advanced Orchestration and Conducting. Yannatos
Proseminar in Composition. Stadelman
Studies in Analysis. Martino
American Music in the 20th Century. Tcherepnin
Debussy and the Fin de Siecle. Abbate
Composition in the Digital Electronic Medium. Tcherepnin
Seminar in Performance and Analysis. Wyner
Topics in Ethnomusicology. Boone
Exercises in Tonal Writing and Analysis. Stewart
Current Methods in Musicology: Seminar. Brinkmann
Popular Music: Seminar. Boone
Medieval Notation: Seminar. Jeffery
Renaissance Music: Seminar. Lockwood
18th-Century Music: Seminar. Wolff
19th-Century Music: Seminar. Lockwood
19th/20th-Century Music Seminar. Abbate
History of Music Theory: Seminar. Hughes
Schenkerian Analysis I: Seminar. Rothfarb
Schenkerian Analysis II: Seminar. Rothfarb
Topics in Music Theory I. Seminar. Lewin
Topics in Music Theory II Seminar. Lewin
Composition Seminar. Martino
Special Topics in Composition: Seminar. Rands
Doctoral Colloquium. Wolff

Core Program
Literature and Arts B-52. Style and Meaning in Music. Hughes
Literature and Arts B-64. The Symphonic Century: Orchestral Music from 1820 to 1914. Brinkmann
Literature and Arts B-69. Beethoven and the Transformation of Musical Style. Lockwood
Literature and Arts B-75. Composing Music Since 1950. Rands

Interdepartmental Courses
Afro-American Studies 14. History of Jazz. Anthony Davis (Visiting Professor, Afro-American Studies)
Afro-American Studies 139. The Composer in African- American Music. Anthony Davis (Visiting Professor, Afro-American Studies)

1993-1994

Musicianship. Stewart
Intro to Music. Leverett
Theory for Non-majors. Brandt
Women in Music. Leverett
Theory I. Stewart
Group for New Music. Rands/Brandt
17th- and 18th-Century Music. Wolff
19th- and 20th-Century Music. Brinkmann
Beginning Choral Conducting. Marvin
Theory II. Kopp
Counterpoint. Lewin
Orchestration and Conducting. Yannatos
Electronic Music. Tcherepnin
Proseminar in Composition. Marsh
Proseminar in Composition. Davidovsky
Analysis. Tcherepnin
17th Century Mass. Howard
20th Century Proseminar
History of String Quartet. Lockwood
Performance and Analysis. Levin
Music of Middle East. Shelemay
18th Century Performance Practice. Levin
Topics in Ethnomusicology. Babiracki
Exercises in Tonal Writing and Analysis. Stewart
Intro to Musicology. Boone
Intro to Ethnomusicology. Shelemay
Research Methods in Ethomusicology. Shelemay
Medieval Polyphony. Yudkin
Chant. Hughes
18th-Century Opera. Lockwood
Renaissance Music. Leverett
19th-Century Music. Kallberg
History of Theory I and II. Cohen
Topics in Music Theory. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Composition Seminar. Marsh
Special Topics in Composition: Seminar. Rands
Doctoral Colloquium. Lockwood

Core Program
Literature and Arts B-52. Style and Meaning in Music. Hughes
Literature and Arts B-55. Opera: Perspectives on Music and Drama. Lockwood
Literature and Arts B-71. Jazz: An American Music. Boone
Literature and Arts B-77. Worlds of Music: Africa. Shelemay

Interdepartmental Courses

Afro-American Studies 139. The Composer in African- American Music. Anthony Davis (Visiting Professor, Afro-American Studies)
Afro-American Studies 151. Jazz after 1960. Anthony Davis (Visitiing Professor, Afro-American Studies)
Afro-American Studies 153. Duke Ellington. Mark Tucker (VIsitin Professor, Afro-American Studies)

1994-1995

Musicianship. Stewart
Intro to Music. Boone
Theory for Non-majors. NIchols
Theory I. Stewart
Group for New Music. Davidovsky/Nichols
Sophomore Tutorial. Kendrick
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
Theory II. Stein
Modal Counterpoint. Lewin
Tonal Counterpoint. Lewin
Tonal Analysis. Tcherepnin
20th-Century Analysis. Levin
Proseminar in Composition. Nichols
Digital Electronic Music. Tcherepnin
Performance and Analysis. Levin
Music/Politics/Identitiy in Centra/East Europe. Slobin
Maqam Traditions. Danielson
Renaissance Mass and Motet. Kendrick
The Mozart Operas. Lockwood
Contemporary Jazz. Boone
Exercises. Stewart
Intro to Musicology. Kendrick
Ethnomusicology Seminar. Becker
Ethnomusicology Seminar. Shelemay
Renaissance Seminar: Josquin. Lockwood
Chant. Kelly
Baroque Seminar. Wolff
19th-Century Seminar: Beethoven. Lockwood
Popular Music Seminar. Boone
Schenker Seminar. Stein
Topics in Music Theory. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Electronic Music Seminar. Davidovsky
Special Topics in Composition: Seminar. Rands
Fromm Seminar in Composition. Jolas
Doctoral Colloquium. Lockwood

Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-54. Chamber Music from Mozart to Ravel. Levin
Literature and Arts B-75. Composing Since 1950. Rands
Literature and Arts B-77. Worlds of Music: Africa. Shelemay

Interdepartmental Courses
Afro-American Studies 151. Jazz after 1960. Anthony Davis (Visitiing Professor, Afro-American Studies)
Afro-American Studies 158. Jazz Composition and Arrangement. Anthony Davis (Visiting Professor, Afro-American Studies)
Visual and Environmental Studies 158. Sound and Image Alfred Guzzetti and Ivan Tcherepnin

1995-1996

Musicianship. Stewart
Intro to Music. Amati-Camperi
Theory for Non-majors. NIchols
Theory I. Stewart
Group for New Music. Davidovsky/Nichols
Sophomore Tutorial. Babiracki
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
Theory II. Cohen
Modal Counterpoint. Lewin
Tonal Counterpoint. Lewin
Tonal Analysis. Brandt
20th-Century Analysis.Cohen
Proseminar in Composition. Davidovsky
Proseminar in Composition. Rands
Digital Electronic Music. Tcherepnin
Performance and Analysis. Levin
19th-Century Performance Practice. Levin
Music of the City. Shelemay
North Indian Music. Babiracki
Instrumental Music of the Middle Ages & Renaissance. Kelly
Protestant Reformation. Howard
Beethoven's Orchestral Music. Lockwood
Exercises. Stewart
Intro to Musicology. Babiracki
Comparative Musical Terminology. Powers
Cross-Cultural Interaction in 20th-Century Music. Shelemay
Medieval Polyphony. Kelly
Secular Music of Medieval France. Kelly
Renaissance Seminar: Lockwood
Haydn: 1970s. Sisman
Wagner: Tristan und Isolde. Lockwood
20th-Century Seminar: 1912. Brinkmann
History of Theory. Cohen
Topics in Music Theory. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Electronic Music Seminar. Davidovsky
Special Topics in Composition: Seminar. Rands


Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-54. Chamber Music from Mozart to Ravel. Levin
Literature and Arts B-55. Opera: Perspectives on Music and Drama. Lockwood
Literature and Arts B-64. The Symphonic Century: orchestral Music from 1820 to 1914.

Interdepartmental Courses
Afro-American Studies 151. The Music of Duke Ellington.. Anthony Davis (Visitiing Professor, Afro-American Studies)
Afro-American Studies 158. Jazz Composition and Arrangement. Anthony Davis (Visiting Professor, AfroAmerican Studies)
Visual and Environmental Studies 158. Sound and Image Alfred Guzzetti and Ivan Tcherepnin

1996-1997

Musicianship. Stewart
Intro to Music. ! and II. Kendrick
Theory for Non-majors. Gandolfi
Introduction to Composition. Tcherepnin
Proseminar in Composition. Gandolfi
Theory I. Stewart
Sophomore Tutorial. Music History and Reperatory. Babiracki/Johnson
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
History of Jazz. Andrews
Theory II. Cohen
Modal Counterpoint. Lewin
Tonal Counterpoint. Brandt
Tonal Analysis. Varah
Analysis of 20th-Century Music. Rands
Electronic Music. Varah
Performance and Analysis. Wyner
Music/Urban Life in the 15th-Century Low Countries. Kendrick
Topics in Music:Bach, Handel, Vivaldi,Rameau. Risinger
Topics in Music: American Music. Brinkmann
Special Topics: Early Music in Boston. Babiracki/Kelly/Shelemay
Exercises in Tonal Writing and Analysis. Stewart
Intro to Musicology. Kendrick
Topics in Medieval Music: Medieval NOtation. Kelly
Intellectual History of Ethnomusicology. Shelemay
Renaissance Music: Josquin Desprez. Lockwood
Baroque: Bach's Leipzig Church Cantatas. Wolff
19th-Century Music: The Beethoven Quartets. Lockwood
19th-Century Music: Three Verdi Operas. Petrobelli
19th- and 20th-Century Seminar: Fascism and Music. Brinkmann
History of Theory. Cohen
Schenkerian Analysis I. Cohen
Schenkerian Analysis II. Schachter
Topics in Music Theory. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Compositin Seminar. Merryman
Electronic Music Seminar. Davidovsky
Electronic Music Seminar. Kreiger
Doctoral Colloquium. Kelly


Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-55. Opera: Perspectives on Music and Drama. Lockwood
Literature and Arts B-64. The Symphonic Century: Orchestral Music from 1820 to 1914. Brinkmann
Literature and Arts B-75. Composing Since 1950. Rands

Interdepartmental Courses
Afro-American Studies 154. Black Music: Race, Politics, and Culture. Dwight Andrews (Quincy Jones Visiting Professor of Afro-American Music)

1997-1998

Musicianship. Stewart
Intro to Music. I and II. Painter
Fundamentals of Music Theory I and II. Gandolfi
Introduction to Composition. Nichols
Theory I. Stewart
Sophomore Tutorial.Music History and Reperatory. Babiracki
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
Theory II. Cohen
Modal Counterpoint. Nichols
Tonal Counterpoint. Lewin
Tonal Analysis. Cohen
Analysis of 20th-Century Music. Rands
Proseminar in Composition. Nichols
Digital Electronic Music. Tcherepnin
Performance and Analysis. Levin
18th-Century Performance Practice. Levin
Middle East (Maqam). Danielson
Music and Ethnicity in North America. Babiracki
Mozart's Don Giovanni. Lockwood
Music/Letters in England. Risinger
19th-Century Opera. Painter
Lieder: Schubert to Wolf. Risinger
20th-Century Musical "Systems". Brinkmann
Exercises in Tonal Writing and Analysis. Stewart
Slave Spirituals. Radano
Primary Musical Sources at Harvard.Wolff
Musical Transmission. Shelemay
Goddesses and Courtesans. Babiracki
Medieval Chant. Kelly/Livljanic
Renaissance Music. Lockwood
US/Europe 1920-1940. Op De Coul
19th-/20th-Century Music: Mahler and Ives. Brinkmann
Reception History. Brinkmann
History of Theory. Cohen
Topics in Music Theory I. Straus
Topics in Music Theory II. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Compositin Seminar. Wyner
Electronic Music Seminar. Davidovsky
Fromm Seminar. Imbrie
Doctoral Colloquium. Lockwood


Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-55. Opera: Perspectives on Music and Drama. Lockwood
Literature and Arts B-65. Music in Fin-de-Siecle Vienna: The Origins of Modernism. Brinkmann
Literature and Arts B-54. Chamber Music from Mozart to Ravel.Levin

Interdepartmental Courses
Afro-American Studies 154z. Black Music and American Racial Encounter. Ronald Radano (Quincy Jones Visiting Professor of Afro-American Music)
VES 158: Sound and Image. Alfred Guzzetti and Ivan Tcherepnin

1998-1999

Musicianship. Stewart
Intro to Music. I and II. McGuire/Painter
Fundamentals of Music Theory I and II. Gandolfi
Introduction to Composition. Nichols
Theory I. Stewart
Sophomore Tutorial.Music History and Reperatory. Risinger/Wolff
Orchestration and Conducting. Yannatos
Theory II. Nichols/Cohen
Modal Counterpoint. Lewin
Tonal Counterpoint. Lewin
Tonal Analysis.Rakowksi
Analysis of 20th-Century Music. Rands
Proseminar in Composition. Nichols
Latino Popular Music. Pacini-Herndandez
Performance and Analysis. Levin
19th-Century Performance Practice. Levin
Raga and Tala. Babiracki
Musical Identities: Native America and Australia. Diamond
Topics in Medieval and Renaissance Music: Renaissance Venice. Kelly
Topics in Music from 1600-1800: Mozart Images. Painter
Topics in Music from 1800-Present: Beethoven's Ninth. Lockwood
Improvisational Process in Jazz from WWII to 1967. Monson
Exercises in Tonal Writing and Analysis. Stewart
Current Methods in Musicology. Babiracki/Wolff
Music Diasporas: Ethiopia. Shelemay
Organology. Diamond
Topics in Medieval Polyphony: Late Trecento and Early Quattrocento Italy. Nadas
Renaissance Music: Josquin Motets. Macey
19th-Century Music: Beethoven's Late Quartet. Lockwood
19th-Century Music: Music in Paris in the 1830s. Kelly
19th/20th-Century Music: Ideologies of the Symphony, 1890-1945. Painter
History of Theory. Cohen
Schenkerian Analysis. Schmalfeldt
Topics in Music Theory I and II. Lewin
Seminar: Readings in Aesthetics. Painter
Composition Seminar. Rands
Composition Seminar. Davidovsky
Electronic Music Seminar. Davidovsky
Doctoral Colloquium. Kelly, Shelemay


Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-54. Chamber Music from Mozart to Ravel. Levin
Literature and Arts B-75. Composing Music since 1950. Rands
Literature and Arts B-78. Soundscapes: World Music at Home and Abroad. Shelemey

Interdepartmental Courses
Afro-American Studies 11. Music and the Civil Rights Movement. Ingrid Monson (Quincy Jones Visiting Professor of Afro-American Music)

 

1999-2000

Musicianship. Stewart
Intro to Music. I and II. Kozachek
Fundamentals of Music Theory I and II. Horne
Introduction to Composition. Horne
Theory I. Stewart
Sophomore Tutorial.Music History and Reperatory. Risinger
Choral Conducting. Marvin
Orchestration and Conducting. Yannatos
Theory II. Cohen
Modal Counterpoint. Lewin
Tonal Counterpoint. Lewin
Tonal Analysis. Stallmann
Analysis of 20th-Century Music. Rands
Proseminar in Composition. Rands/Horne
Compositin in the Digital Electroinc Medium I and II. Stallmann
Performance and Analysis. Levin/Stepner
18th-Century Performance Practice. Levin
Topics in World Music. Music in Islam. Wolf
Topics in World Music: Vernacular Musical Traditions of India and Pakistan. Wolf
Topics in Medieval and Renaissance Music: English Sacred Music. Bisson
Topics in Music from 1600-1800: Music in English Society 1660-1800. no instructor listed (Gooley or Bisson?)
Topics in Music from 1800-Present: 20th-Century Opera. Brinkmann
Exercises in Tonal Writing and Analysis. Stewart
Current Methods in Musicology. Brinkmann/Wolf
Ethnomusicology: Theories of African Rhythm. Agawu
Ethnomusicology: Music in Jewish Religious and Cultural Life. Shelemay
Topics in Medieval Polyphony: Major Repertoires in Early Polyphony. Kelly
Renaissance Music: Basic Musical Trends in the 15th Century. Lockwood
Baroque Seminar: JS Bach and Reception History of 1850. Wolff
19th-Century Music: Verdi: Current Issues in Research, Analysis and Criticism. Rosen
20th-Century Music: Schoenberg in America. Brinkmann
History of Theory. Music Theory from Italian Renaissance to French Enlightenment. (Gooley?)
Topics in Music Theory I and II, Texts and Musical Structures. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Electronic Music Seminar. Davidovsky
Doctoral Colloquium. Members of the Department


Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-54. Chamber Music from Mozart to Ravel. Levin
Literature and Arts B-65. Music in Fin-de-siecle Vienna: the Origins of Modernism. Brinkmann
Literature and Arts B-78. Soundscapes: World Music at Home and Abroad. Shelemay
Literature and Arts B-80. The Swing Era. Levin

 

2000-2001

Musicianship. Stewart
Introduction to Music 1a. Kozachek
Introduction to Music 1b. Painter
Fundamentals of Music Theory I and II. Fineberg
Introduction to Composition. Fineberg
Theory I. Stewart
Sophomore Tutorial: Music History and Reperatory. Calcagno
Orchestration and Conducting. Yannatos
Theory II. Cohen
Modal Counterpoint. Nichols
tonal Counterpoint. Gosman
Tonal Analysis. Stallman
Analysis of 20th-Century Music. Rands
Proseminar in Composition. Rands
Electroacoustic Composition. Stallmann
Musical Systems-Contexts-Performance. Wolf
Classical Music in South Idia. Wolf
Performance and Analysis. Levin
19th-Century Performance Practice. Levin
Music in Middle Eastern Context. Danielson
Topics in Medieval and Renaissance Music: Polyphoney in France 1200-1400. Kozachek
Topics in Music from 1600-1800: Mozart Images. Painter
Claudio Monteverdi. Calcagno
Text and Orchestration. Rands
20th-Century Techniques. Brinkmann
Lieder from Schubert to Wolf. Risinger
Creative Musical Energy in Australia. Conyngham
Opera. Lockwood
Symphony. Brinkmann
Exercises in Tonal Writing and Analysis. Stewart
Current Methods in Musicology. Painter/Wolf
Research Methods in Ethnomusicology. Shelemay
Music and Ritual. Wolf
Topics in Medieval Music. Kelly
Renaissance Music Seminar> Urquhart
19th-Century Music: Beethoven's String Quartets. Lockwood
19th-Century Music: German Music pre-WW I. Painter
19th/20th-Century Music: Mausic After WWII. Brinkmann
Schenkerian Analysis. Cohen
Topics in Music Theory I and II. Lewin
Composition Seminar. Davidovsky
Electronic Music Coposition Semrinar. Davidovsky
Towards an Australian Accent in Music 1950-99. Conyngham
Special Topics. Carter. Nichols
Doctoral Colloquium. Brinkmann

Core Program
Literature and Arts B-51. First Nights. Kelly
Literature and Arts B-54. Chamber Music from Mozart to Ravel. Levin
Literature and Arts B-65. Music in Fin-de-siecle Vienna: the Origins of Modernism. Brinkmann
Literature and Arts B-78. Soundscapes: World Music at Home and Abroad. Shelemay



2001-2002

Musicianship. Goldberg/Stewart
Introduction to Music 1a &
b. Fisher
Fundamentals of Music Theory I & II. Fineberg
Introduction to Composition. Nichols
Intermediate Composition. Gandolfi
Theory I. Gollin/Stewart
Sophomore Tutorial: Music History and Repertory. Calcagno
Choral Conducting. Marvin
Orchestration and Conducting. Yannatos
Theory II. Cohen
Modal Counterpoint. Gollin
Tonal Counterpoint. Nichols
Tonal Analysis. Stallmann
Analysis of 20th-Century Music. Gandolfi
Proseminar in Composition. Rands
Electro-Acoustic Composition. Stallmann
Performance and Analysis. Levin
17th & 18th c Performance Practice. Levin
Musical Cultures of Iran. Wolf
Latino Popular Music. Pacini-Hernandez
Music in Middle Eastern Contexts. Danielson
Topics in Medieval and Renaissance Music: The Madrigal. Calcagno
Topics in Medieval and Renaissance Music: Jean Ockeghem. Fallows
Topics in Music 1600-1800: Mozart’s Vienna. Chen
Topics in Music 1600-1800: Die Zauberflote. Wolff
Mahler in Context. Painter
The Music of Bela Bartok. Gollin
Tonal Writing and Analysis. Gollin
Current Methods in Musicology. Wolf
Current Methods in Musicology. Wolff
Music and Memory. Shelemay
Music of Africa & the Diaspora. Monson
Getting to Know Medieval Song. Treitler
Josquin des Prez. Fallows
Bach’s B-Minor Mass. Wolff
Opera in Venice: 1637-1678. Calcagno
Historiography of Music. Solie
20th-Century Opera. Painter
Song, Schubert through Ives. Brinkmann
History of Music Theory. Cohen
Topics in Music Theory I & II. Lewin
Composition Seminar. Rands
Composition Seminar. Davidovsky
Orchestra Composition Seminar. Fineberg
The Emancipation of Timbre. Fineberg
FR Seminar: Baroque, Classical & Romantic Concerti. Wolff
Doctoral Colloquium. Shelemay

Core Program

Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-65 Fin-de-Siecle Vienna. Brinkmann
Literature and Arts B-78 Soundscapes: World Music at Home and Abroad. Shelemay
Literature and Arts B-80 Swing Era. Levin


 

2002-2003

Musicianship. Stewart
Introduction to Music 1a & b. Peattie
Fundamentals of Music Theory I & II. Fineberg
Introduction to Composition. Gyger
Intermediate Composition. Gyger
Theory I. Stewart
Sophomore Tutorial: Music History and Repertory. Gallagher
Choral Conducting. Marvin
Orchestration and Conducting. Yannatos
Theory II. Gollin
Modal Counterpoint. Gollin
Tonal Counterpoint. Berman
Tonal Analysis. Hasty
Analysis of 20th-Century Music. Rands
Proseminar in Composition. Fineberg
Proseminar in Composition. Gyger
Performing: E. Europe/Java/Folkdance. Cohen
Performance and Analysis. Levin
19th & 20th c Performance Practice. Levin
Music in Middle Eastern Contexts. Danielson
Music, Politics & Society in E. Europe. Sugarman
The Sound of “Song of Songs” 8th-15th c. Stenzl
From Schütz to Buxtehude. Wolff
Aaron Copland. Tick
The Music and Image of Miles Davis. Monson
Conducting/Composing in Post-War Europe. Painter
Tonal Writing and Analysis. Gollin
Current Methods in Historical Musicology. Wolff
Current Methods in Ethnomusicology. Shelemay
Musical Ethnography. Shelemay
Musics Between Local and Global. Sugarman
Music and Cultural Theory. Monson
Northern Music/Musicians in 15th c Italy. Gallagher
Mendelssohn & Schumann in Leipzig. Wolff
Mozart & “Absolute” Music. Painter
Music & National Socialist Ideology. Brinkmann
The Music of Luigi Nono. Stenzl
History of Music Theory. Gollin
Schenkerian Analysis. Hasty
Music and Math. Lewin
Rhythm. Hasty
Composition Seminar. Rands
Composition Seminar. Hyla/Davidovsky
Electronic Music Composition. Kreiger/Davidovsky
Topics in Composition. Rands
Computer Assisted Musical Composition. Fineberg
Doctoral Colloquium. Wolff
FR Seminar: African Musical Traditions. Shelemay
Med Studies: Medieval Manuscripts and Liturgical Arts. Kelly

Core Program

Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-54 Chamber Music: Mozart to Ravel. Levin
Literature and Arts B-64 The Symphonic Century. Brinkmann
Literature and Arts B-78 Soundscapes. Shelemay
Literature and Arts B-82 Sayin’ Something. Monson


 

2003-2004

Introduction to Music 1a & b. Talle
Introduction to Composition. Gyger
Foundations of Tonal Music I. Fineberg
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
Performance and Analysis. Wyner
Musicianship. Stewart
Theory I. Stewart
Sophomore Tutorial: Music History and Repertory. Calcagno
Theory II. Rehding
Modal Counterpoint. Hasty
Tonal Counterpoint. Burton
Tonal Analysis. Hasty
Analysis of 20th-Century Music. Rands
Proseminar in Composition. Gyger
Electronic Music. Chasalow
Music in Middle Islamic Contexts. Wolf
Italian Madrigal 1530–1640. Calcagno
Mozart in Vienna: The Final Years. Wolff
Songs of Schubert, Mahler, Wolf. Painter
The Broadway Musical. Oja
The Romantics and Early Music. Haar
Tonal Writing and Analysis. McLoskey
Current Methods in Ethnomusicology. Monson
Current Methods in Historical Musicology. Shreffler
Ethnomusicology of Space and Time. Wolf
Music and Mourning. Wolf
20th -Century Chinese Music. Zheng
Melodic Transmission in Chant. Kelly
Mode in the Renaissance. Haar
Petrarch, Petrarchism and Madrigal. Calcagno
Bach’s Weimar Cantatas. Wolff
Wagner’s Ring. Painter
Early 20th-Century American Modernist Music. Oja
American Avant-Garde/Experimental Music post 1945. Shreffler
History of Music Theory. Rehding
Music and Meaning. Hasty
Studies in Musical Analysis. Hasty
Composition Seminar. Rands
Composition Seminar. Davidovsky/Wyner
Electronic Music Composition. Davidovsky/Kreiger
Topics in Composition. Rands
Orchestration. Fineberg
Fromm Seminar. Weir
Late Modernism and the Concerto. Gyger
Doctoral Colloquium. Oja

Freshman Seminar: Bach. Wolff

Core Program:
Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-82 Sayin’ Something. Monson


 

2004-2005

Introduction to Music 1a & b. Gallagher
Introduction to Composition. Gyger
Theory for Non-Majors. Fineberg
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
Performance and Analysis. Levin
17th- and 18th-Century Performance. Levin
Musicianship. Stewart
Theory I. Stewart
Sophomore Tutorial: Music History and Repertory. Randel
Theory II. Rehding
Modal Counterpoint. Stern
Tonal Counterpoint. Stern
Tonal Analysis. Hasty
Analysis of 20th-Century Music. Gyger
Proseminar in Composition. Fineberg
Electro-Acoustic Composition. Tutschku
Shadows, Gongs & Punk Music/SE Asia. Weiss
Music in Middle Eastern Contexts. Danielson
Brahms’s Choral Music and German Society. Beller-McKenna
World Music Theory, Practice, Aesthetics. Weiss
Permeable Boundaries. Weiss
Programmatic, Absolute, & Other: Perspectives on Musical Meaning. Von Glahn
Tonal Writing and Analysis. McLoskey
Intro to Musicology. Gallagher/Shelemay
Research Methods. Shelemay
Sounding Royal. Weiss
Notre-Dame Polyphony. Roesner
Guillaume Du Fay & 15th c. Song Tradition. Gallagher
Orlando di Lasso & Motet 2nd Half 16th c. Bossuyt
String Quartets of Haydn & Mozart. Hunter
Music of the Last Ten Years. Shreffler
Ives on Ives in Prose & Music. Von Glahn
Theories of Music Degeneration. Rehding
Schenkerian Theory. Schmalfeldt
Analytical Approaches. Rehding
Composition Seminar. Birtwistle
Composition Seminar. Rands
Composition Seminar. Birtwistle
Composition Seminar. Anderson
Topics in Electroacoustic Music. Tutschku

Freshman Seminar: Beethoven String Quartets. Shreffler
Freshman Seminar: African Music Ethnographies. Shelemay

Core Program:
Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-80 Swing. Levin
Literature and Arts B-68 Opera. Shreffler


 

2005-2006


Introduction to Music 1a & b. Gallagher
Introduction to Composition. Gyger
Theory for Non-Majors. Fineberg
Orchestration and Conducting. Yannatos
Choral Conducting. Marvin
Performance and Analysis. Levin
17th- and 18th-Century Performance. Levin
Musicianship. Stewart
Theory I. Stewart
Sophomore Tutorial: Music History and Repertory. M. Peattie
Theory II. Stern
Modal Counterpoint. Stern
Tonal Counterpoint. Stern
Tonal Analysis. Hasty
Analysis of 20th-Century Music. Gyger
Proseminar in Composition. Czernowin
Proseminar in Composition. Anderson
Electronic Music. Tutschku
Music in Islamic Contexts: South and West Asia. Wolf
South Indian Classical Music. Wolf
Medieval and Renaissance Instrumental Music. Kelly
The Italian Madrigal. Calcagno
Music and Film. Abbate
Mahler and Symphonic Space. T. Peattie
Caribbean New York. Washburne
Leonard Bernstein’s Boston. Oja/Shelemay
Exercises in Tonal Writing. Lister
Intro to Musicology. Shreffler
Intro to Ethnomusicology. Wolf
Theory and Structure of S. Indian Classical Music. Wolf
Musical Communities. Shelemay
Improvisation in 3 Traditions. Monson
Gregorian Chant: Manuscripts& Transmissions. Kelly
Northern European Music & Visual Arts. Gallagher/Van Der Velden
Luca Marenzio’s Secular Music. Calcagno
Philological Issues. Calcagno
Music of the Bach Family. Wolff
Music’s Body: Sensuality in Literature & Sound. Albright
Performance Practice in 2nd Viennese School. Shreffler
Writing About American Music. Oja
History of Music Theory. Keiler
Music and Cognition. Hasty
Studies in Musical Analysis. Hasty
Composition Seminar. Czernowin
Composition Seminar. Lindberg
Composition Seminar. Anderson
Electroacoustic Music Seminar. Tutschku
Contemporary Choral Writing. Gyger
Orchestration. Fineberg
Fromm Seminar: Lindberg
Doctoral Colloquium. Abbate

Freshman Seminar: American Musical Theatre. Oja
Freshman Seminar: Concerto. Wolff

Core Program:
Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-63 Bach. Wolff
Literature and Arts B-52 Mozart. Levin
Literature and Arts B-68 Opera. Shreffler
Literature and Arts B-78 Soundscapes. Shelemay

AA97 African-American Tutorial. Monson


 

2006-2007


Introduction to Music 1a. Gallagher
Theory for Non-Majors. Fineberg
Introduction to Composition. Gyger
Adv. Choral Conducting. Marvin
Orchestration and Conducting. Yannatos
Performance and Analysis. Levin
19th-Century Performance. Levin
Musicianship. Stewart
Theory I. Stewart
Sophomore Tutorial: Music History and Repertory. M. Peattie
Theory II. Rehding/Clark
Modal Counterpoint/Counterpoint. Stern
Tonal Analysis. Rehding
Analysis of 20th-Century Music. Gyger
Proseminar in Composition. Gyger
Proseminar in Advanced Composition. Anderson
Electronic Composition. Tutschku
Music in Islamic Contexts. Wolf
Music & Poetry in Late Renaissance Italy. Calcagno
Monteverdi’s Operas. Calcagno
Symphony. Allen
The American Musical. Oja
Music Since 1945. Shreffler
African-American Jazz/Gospel. Ramsey
Image, Music, Text: 20th Cenutry Italy. Calcagno
Repertoire. Gyger
Embodying Asian American Identities. Hahn
Foreign Cultures 79 Silk Road. Wolf/Elliot
Excercises (Music B). Stern
Intro to Historical Musicology. Wolff
Intro to Ethnomusicology. Shelemay
Music and Ritual. Wolf
Performing Body, Self, Identity. Hahn
African Musics. Shelemay
Music and Cultural Theory. Monson
Gregorian Chant. Kelly
Motets and Contexts 1350-1500. Gallagher
Monteverdi’s Madrigals. Calcagno
Mozart in Vienna. Wolff
World Wars. Oja/Cott
Music and Politics. Shreffler
Tonal Spaces. Rehding
Music Aethestics. Rehding
Schenkerian Analysis. Clark
Prolonged Counterpoint. Agawu
Cognitive Theories of Music. Lerdahl
Composition Seminar. Fineberg
Composition Seminar. Schuller
Composition Seminar. Anderson
The Outsiders. Anderson
Electronic Music Seminar. Tutschku
Fromm Seminar. Schuller
Special Topics: Sculpting Sound. Fineberg
Doctoral Colloquium. Kelly

Freshman Seminar: Beethoven’s String Quartets. Shreffler
Freshman Seminar: Boston: Stop, Look and Listen. Shelemay/Oja

Core Program:
Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-63 Bach. Wolff
Literature and Arts B-68 Opera. Shreffler


 

2007-2008

Introduction to Music 1b. Gallagher
Theory for Non-Majors. Vines
Introduction to Composition. Rohwein
Beg. Choral Conducting. Marvin
Orchestration and Conducting. Yannatos
Performance and Analysis. Wyner
Musicianship. Stewart
Theory I. Stewart
Sophomore Tutorial: Music History and Repertory. Kelly/Gelbart
Theory II. Rehding/Vines
Tonal Counterpoint. Greitzer
Modal Counterpoint. Greitzer
Analyzing Performance. Hasty
Analysis of 20th-Century Music. Hasty
Proseminar in Composition. Ferneyhough
Electronic Composition. Tutschku
Chant. Kelly
Fin-de-siecle France. Revuluri
Staging Baroque Opera: Monteverdi and Cavalli. Calcagno
Gamelan in Performance & Composition. Wolf
Global Pop Music. Revuluri
Wagner. Abbate
Brazilian Music and Globilization. Stanyek
Foreign Cultures 79 Silk Road. Wolf/Elliott
Excercises (Music B). Vines
Intro to Musicology. Abbate
Intro to Ethnomusicology. Wolf
Aurality, New Media & the Politics of Presence. Stanyek
Theory & Structure of South Indian Music. Wolf
Subjectivity and Narrativity from Madrigal to Opera (1580-1640). Calcagno
Opera and Interpretation. Abbate
Paris in the 1830s. Kelly
Historiography of American Music. Oja
Music and the Moving Image. Revuluri
Theory of Music. Hasty
The Life and Music of Cole Porter. Forte
Current Issues in Music Theory. Rehding
Topics in Music Theory: Repetition. Hasty
Composition Seminar. Gyger
Composition Seminar. Ferneyhough
Composition Seminar. Lachenmann
Sensors and Interactivity. Tutschku
Improvisations with Electronics. Tutschku
Special Topics. Ferneyhough
Fromm Seminar. Lachenmann
Special Topics: Choral Writing. Gyger
Doctoral Colloquium. Rehding
Freshman Seminar: Film Music. Abbate
Freshman Seminar: Leonard Bernstein and His World. Oja

Core Program:
Literature and Arts B-51 First Nights: Five Performance Premieres. Kelly
Literature and Arts B-62 The Politics of Music. Rehding/Nelson
Literature and Arts B-82 Sayin’ Something. Monson
Literature and Arts B-85 American Musicals & American Culture. Oja


 

2008-2009


Introduction to Music 1b. Gallagher
Theory for Non-Majors. Gilbert/Beaudoin
Introduction to Composition. Beaudoin
Intermediate Compoition. Gilbert
Beg. Choral Conducting. Marvin
Orchestration and Conducting. Yannatos
Performance and Analysis. Levin
18th Century Performance Practice. Levin
Musicianship. Hasegawa
Theory I. Rehding
Sophomore Tutorial: Music History and Repertory. Gallagher/Revuluri
Theory II. Clark/Hasegawa
Tonal Counterpoint. Beaudoin
Modal Counterpoint. Greitzer
Analyzing Performance. Hasty
Analysis of 20th-Century Music. Hasty
Proseminar in Composition. Gilbert/Gandolfi
Electronic Composition. Tutschku
Musicianship: Gamelan. Diamond
Monteverdi’s Vespers, Bach’s B Minor Mass, Mozart’s Zaubflote.Wolff
Lizst & Romantic Century. Gooley
Brahms. Gallagher
New Currents in Asian American Music Studies. Hisama
Tonal Writing & Analysis (Music B). Vines
Intro to Musicology. Revuluri
Intro to Ethnomusicology. Shelemay
Res. Methods: Ethnography. Shelemay
Music & Cultual Theory. Monson
Ockeghem & Busnoys. Gallagher
The manuscript Bologna Q.15. Bent
Editing CPE Bach. Wolff
Editorial Workshop. Wolff
Late Beethoven. Lockwood
History/Theory/Crit of Hp-Hop. Hisama
Elliott Carter & the 20th Century. Shreffler
Biography to History: Case Studies in Early American Modernism. Tick
Music and Empire. Revuluri
History of Music Theory. Rehding
Memory, Monumentality, Canonocity. Rehding
Topics in Muic Theory: Repetition: Hasty
Composition Seminar. Gandolfi
Composition Seminar. Bresnick
Electronics: Music and Space. Tutschku
Composition and Live Electronics. Tutschku
Orchestration. Gandolfi
Doctoral Colloquium. Wolf
Freshman Seminar: Beethoven’s String Quartets. Shreffler
Freshman Seminar: Soundscapes. Shelemay

Core Program:
African Musical Traditions. Shelemay\
Global Pop Music. Revuluri
Mozart. Levin
Sayin’ Something. Monson


2009-2010

Introduction to Music 1a/b. Gallagher
Theory for Non-Majors. Beaudoin
Introduction to Composition. Beaudoin
Beg. Choral Conducting. Marvin
Orchestration and Conducting. Cortese
Performance and Analysis. Levin
19th-Century Performance Practice. Levin
Chamber Music Performance. Cortese
Jazz Improvisation. Bares
Theory I. Rehding/Post
Musicianship. Bares
Music History and Repertory (97a): Medieval to Baroque. Kelly
Music History and Repertory (97b): Medieval to Baroque. Roeder
Music History and Repertory: Cross Cultural Perspective. Shelemay
Theory IIa. Clark
Theory IIb. Beaudoin
Jazz Harmony. Bares
Tonal Counterpoint. Vines
Modal Counterpoint. Greitzer
Tonal Analysis. Clark
Analysis of 20th-Century Music. Hasty
Proseminar in Composition (160). Czernowin
Proseminar in Composition (161). Vines
Electronic Composition. Tutschku
Music in Islamic Contexts. Wolf
South Indian Music. Wolf
Medieval and Renaissance Instrumental Music. Kelly
Music as Object and Act 1400-1600. Gallagher
Opera in the Eighteenth Century. Roeder
Music Since 1945. Shreffler
Special Topics: Shakespeare Music. Albright
Tonal Writing and Analysis. Post
Intro to Musicology. Oja
Intro to Ethnomusicology. Wolf
Music and Language. Wolf
Musical Communities. Shelemay
Chant. Kelly
Josquin des Prez. Gallagher
Unfinished Musical Works from Bach to Schubert. Wolff
Music in the Public Sphere. Roeder
Early African American Musical Theatre. Oja
Music of the Last Ten Years. Shreffler
Quirks in the Major-Minor System: Theories of Harmony c. 1800-1850. Clark
Ballet Russe, Ballets Suedois: Morrison
Current Issues in Music Theory: Thinking with Music. Hasty
New Music: Tradition and Innovation in Selected Recent Compositions. Hasty
Schenker. Clark
Teaching Colloquium. Wolff
Composition Seminar Ia (261r). Czernowin
Composition Seminar Ib (261rs). Zuidam
Composition Seminar IIa (262r). Steiger
Composition Seminar IIb (262rs). Czernowin
Electronics: Music and Space. Tutschku
Special Topics in Composition. Zuidam
Conductors and Conducting. Steiger
Analysis and Critic of Recent works. Czernowin
Doctoral Colloquium. Wolff

Freshman Seminar: Leonard Bernstein and His World. Oja
Freshman Seminar: What is Music? Hasty
Freshman Seminar. African Musical Traditions. Shelemay

Core Program:
First Nights. Kelly (GE)*
Soundscapes. Shelemay (GE)*
Chamber Music. Levin
American Musicals and American Culture. Oja (GE)*
* General Education


 

2010-2011

Introduction to Music 1a/b. MacCarthy/Massey
Theory for Non-Majors. Beaudoin/A. Clark
Introduction to Composition. Beaudoin
Chamber Music Performance. Boston Museum Trio
Theory I. Post
Music History and Repertory (97a): Medieval to Baroque. Kelly
Music History and Repertory (97b): Medieval to Baroque. Roeder
Music History and Repertory (97c): Cross Cultural Perspective. Shelemay
Beginning Choral Conducting. A. Clark
Cosi fan tutte. Cortese
Theory IIa. Rehding
Theory IIb. Beaudoin
Post-tonal Analysis. Hasty
Tonal Analysis. Rehding
Jazz Harmony. Bares
Modal Counterpoint. Hasty
South Indian Classical Music Theory and Practice. Wolf
Beginning Composition. Beaudoin
Advanced Composition. Czernowin
Intro to Electronic Composition. Tutschku
Performance and Analysis. Levin
18th Century Performance Practice. Levin
Classical Improvisation. Levin
Jazz Improvsation. Bares
Music and Subjectivity in Asia. Wolf
Music of Tudor England. MacCarthy
Early Polyphony: Music of the Winchester Troper. Kelly
The String Quartets of Haydn, Mozart, and Beethoven. Roeder
The Operas of John Adams. Oja/Shreffler
Global Pop (GenEd). Revuluri
Exercises in Tonal Writing & Analysis. Post
Intro. to Historical Musicology. Shreffler
Intro to Ethnomusicology. Shelemay
Ethnomusicology: Research Methods. Shelemay
Iranian Music: Improvisation, Poetry, and Canonocity. Wolf
Transatlantic Jazz. Bares
Johannes Tinctoris and 15th-Centuryt Music. MacCarthy
Discovery of Ancient Music in the Age of Enlightenment. Roeder/Wolff
Historiography: Classic Texts in U.S. Music. Oja
Music and Empire. Revuluri
History of Music Theory: From Rameau to Riemann. Rehding
Neo-Riemannian Analysis. Rehding
Rhythm. Hasty
Teaching Colloquium. Shelemay
Composition Seminar Ia (261r). Czernowin
Composition Seminar Ib (261r). John Luther Adams
Composition Seminar (262r). Czernowin
VES/EMS: Video and Electronic Music (264r). Tutschku/Guzzetti
Fine Arts and Electronic Music. Tutschku
Electronics: Music and Space. Tutschku
Composition Seminar (272). Czernowin
Orchestration. Cortese
Fromm Seminar: Music and the Physical World. John Luther Adams
Doctoral Colloquium. Hasty

Freshman Seminar/Gen Ed:

Freshman Sem: Leonard Bernstein. Oja
Freshman Sem/Gen Ed: Beethoven. Lockwood
First Nights. Kelly
American Musicals and American Culture. Oja
Music, Debate & Islam. Wolf


2011-2012

Introduction to Music 1a/b. MacCarthy/Exner
Theory for Non-Majors. Beaudoin
Introduction to Composition. Beaudoin
Chamber Music Performance. Cortese/Stepner/Boston Museum Trio
Freshman Sem: Global Pop. Revuluri
First Nights. Kelly
American Musicals and American Culture. Oja
Jazz, Freedom, and Culture. Monson
AAAS From R&B to New Soul. Monson
Choreography & Design & Partnership & Collaboration. Lerman
Fundamentals of Dance Improvisation and Composition. Johnson
The Choreographic Process of William Forsythe. Johnson
Beginning Choral Conducting. A Clark.
Masterpieces of Choral Literature. A Clark
Opera Workshop: Verdi’s Falstaff. Cortese
Adv. Conducting: Music & Art in Paris at the beginning of the 20th century. Cortese
Theory I. Post
Music History and Repertory (97a): Medieval to Baroque. Kelly
Music History and Repertory (97c): Cross Cultural Perspective. Wolf
Theory II. S. Clark/Beaudoin
Tonal Analysis: Tonality in Schubert. S. Clark
Jazz Harmony. Henderson
Modal Counterpoint. Hasty
Musical Reperatory Analysis: Monk, Coltrane, Davis. Monson
Composition Proseminar. Beaudoin
Intermediate Composition. Czernowin
Intro to Electronic Composition. Tutschku
Electronic Composition. Tutschku
Performance and Analysis. Levin
19th Century Performance Practice. Levin
Jazz Improvsation. Henderson
Music, Dance, Gender, Sexuality. Kaminsky
South Indian Music. Wolf
Chant in Medieval Society. Kelly
Dieterich Buxtehude & his north German contmeporaries. MacCarthy
German Arts Song from Bach to Strauss. Exner
Wagner and Debussy. Revuluri
Exercises in Tonal Writing & Analysis. Post
Intro. to Historical Musicology. Revuluri
Intro to Ethnomusicology. Monson
Notation in the Study of Musical Culture. Alden
Music and Language. Wolf
Cross-Cultural Rhythm. Hasty/Wolf
DuFay in Italy. MacCarthy
19th-c Music and National Identity. Durante
Music and Politics in the 20th Century. Shreffler
Race in American Musical Theater 1900-1950. Oja
Chinese Music in 18th-Century Europe. Rehding
Current Issues in Music Theory. S. Clark
Theory and Analysis of Sonata Forms. S. Clark
Sounds Studies. Scherzinger
Teaching Colloquium. Oja
Composition Seminar I (261r). Czernowin
Fine Arts and Electronic Music. Tutschku
Electronic Seminar. Tutschku
Composition Seminar (272). Czernowin
Doctoral Colloquium. Oja


2012-2013

Non-Concentrator
Introduction to Music 1a/b. Edwards
Theory for Non-Majors. Post
Chamber Music Performance. Cortese/Stepner
Harmony in Electronic Dance Music. Post

Freshman Sem/Gen Ed
First Nights. Kelly
Film Music and Sound. Abbate

Electives
Fundamentals of Dance Improvisation and Composition. Johnson
The Choreographic Process of William Forsythe. Johnson
Advanced Conducting. Cortese

Concentrator
Theory I. Beaudoin
Music History and Repertory (97b): Shreffler
Music History and Repertory (97c): Cross Cultural Perspective. Marshall
Theory II. Rehding/Beaudoin
20th Century Analysis. Hasty
Jazz Harmony. Henderson
Tonal Counterpoint. S. Clark
Composition Proseminar. Beaudoin
Intermediate Composition. John Luther Adams
Electronic Composition. Tutschku
Performance and Analysis. Levin
Transfigured Night:Exploring Schoenberg, the Second Viennese School
and the Aesthetics of the turn of the century in the German world. Cortese/Hamilton
Classical Improvisation. Levin
Jazz Improvisation. Henderson

Proseminars
Technomusicology. Marshall
The Sacred & the Profanein the 13th-c Motet. S. Clark
Art, Rock, and Pop from the 1960s to the Present. Edwards
California in the ‘60s. van Orden
Music in Jewish Life. Shelemay

Graduate
Exercises in Tonal Writing & Analysis. Post
Intro. to Historical Musicology. van Orden
Intro to Ethnomusicology. Shelemay
Music, Race, and Nation. Marshall
Musical Ethnography. Shelemay
African Musical Ethnographies. Shelemay
Musical Publics. Marshall
Chant. Kelly
Wagner’s Tristan and Isolde. Abbate
Patronage and Contemporary Music: Paul Fromm. Shreffler
Popular Music, Opera, and Society in the US 1900-1920. Hamberlin
Quirks in the Major-Minor System. S. Clark
Schenkerian Analysis. S. Clark
Morton Feldman and the New York School. Hasty
Music Analysis and the Hermeneutic Circle. Hasty
Teaching Colloquium. Hasty
Composition Seminar I (261r). Wolman/JL Adams
Fine Arts and Electronic Music. Tutschku
Composition Seminar (272). Reynolds/Czernowin
Sound Installations. Tutschku
Electronics: Seminar. Tutschku
Ways of Listening. Rehding
Doctoral Colloquium. Shreffler

 


 

CONFERENCES & SYMPOSIA



April 11, 1992: Symposium: Ways of Representing Music. In honor of Rulan Pian. John Ward, organizer, Elliot Forbes, chair. A Festschrif was presented, jointly sponsored by the Institute of Chinese Studies of the Chinese University of Hong Kong and the Music Department, Bell Yung and Joseph Lam, editors, entitled Theme and Variations: Writings on Music in Honor of Rulan Chao Pian (1994).

October 16, 1993
Symposium: Psychoanalysis and Music, Reinhold Brinkmann, chair.

May 5-8, 1994
The Musical Migration: Austria and Germany to the U.S., ca. 1930-1950. Reinhold Brinkmann and Christoph Wolff, chairs; Mark Kagan and John Johnson, organizers. Co-sponsored by the Goethe Institute Boston and funded in part by the Lusicus N, Littauer Foundation, New York, and the Kurt Weill Foundation for Music, New York. 17 speakers. Proceedings published as Driven Into Paradise: the Musical Migration from Nazi Germany to the United States, ed. Reinhold Brinkmann and Christoph Wolff (University of California Press, 1999).

November, 1996
Rethinking Beethoven's Late Period: Sources, Aesthetics, and Interpretation. In honor of Lewis Lockwood. Reinhold Brinkmann and Christopher Reynolds (UC-Davis), organizers.

April, 1997
Brahms the Contemporary, Perspectives on Two Centuries. Co-organized with the American Brahms Society, the Boston Symphony Orchestra, and the Music Departments of Boston University, MIT, and Harvard. Reinhold Brinkmann, Christoph Wolff, John Daverio (Boston University), organizers.

February 26-27, 1999
Symposium: The Schoenberg String Quartets and Trio, in honor of David Lewin. Reinhold Brinkmann, organizer. Quartets and Trio performed by the Mendelssohn Stirng Quartet and the Juilliard String Quartet. Symposium papers published as Music of My Future. The Schoenberg Quartets and Trio (2000), edited by Reinhold Brinkmann and Christoph Wolff.

November 9-11, 2001
Music and the Aesthetics of Modernity, in honor of Reinhold Brinkmann. Papers published in Music and the Aesthetics of Modernity. Essays (2005), edited by Karol Berger and Anthony Newcomb.

November 9, 2004
Elliott Carter's Orchestral Music. Co-sponsored by the Minda de Gunzburg Center for European Studies and the Boston Symphony Orchestra.Daniel Albright (Harvard University), Anne Shreffler (Harvard University), David Schiff (Reed College), presenters.

March 14, 2005
Symposium: New Perspectives on Wagner's The Flying Dutchman. John Deathridge, Daniel Albright, Lydia Goehr, David Levin, Alesander Rehding, Caroyn Abbate, presenters.

September 23-25, 2005
The Century of Bach and Mozart. Perspectives on Historiography, Composition, Theory, and Performance, in honor of Christoph Wolff. Publication, same title, edited by Sean Gallagher and Thomas Forrest Kelly, in 2008.

February 27, 2006
Symposium: Beethoven, Schoenberg and the Legacy of the Ninth. A day-long symposium in collaboration with the Boston Symphony Orchestra.

October 12-14, 2006
Leonard Bernstein, Boston to Broadway. Concerts and Symposia at Harvard University. Organizds by Carol Oja and Kay Kaufman Shelemay.

October 27, 2006
Idea and Image: A symposium on Schoenberg's opera Moses und Aron, presented in collaboration with the Boston Symphony Orhestra and the Center for European Studies.

October 19-20, 2007
Ambrosiana at Harvard. New Source of Milanese Chant. Organized by Thomas Forrest Kelly.

April 13-14, 2008
Cultural Creativity in the Ethiopian American Diaspiora: Conference and Ethio-Jazz Concert (the music of Mulatu Astatke featuring the Either/Orchestra), organized by Kay Kaufman Shelemay.

October 2-4, 2009
City, Chant, and the Topography of Early Music. A Conference in honor of Thomas Forrest Kelly. Seven paper sessions plus keynote by Craig Wright (Yale Universit)y. Publication of proceedings in procress (2011).

February 12, 2010
Beethoven Symposium. Lewis Lockwood, Anne C. Shreffler, Alan Gosman (University of Michigan), Matthias Roeder, Joel Smirnoff (Cleveland Institute of Music) and the Chiara Quartet.

March 27, 2010
Suggestioni. A festival of Italian New Music and Poetry at Harvard University, organized by Gabriele Vanoni. Sponsored by Consulate General of Italy in Boston, Lauro de Bosis committee for Italian Culture at Harvard, Italian Institute of Culture New Yrok, and Federazioine CEMAT (SONORA).

April 15, 2011
Studying Musical Theater in the 21st Century: A Panel Exploring Intellectural Vistas and Interdisciplinary Metholdologies. Panel Chairs: Carol Oja an dstacy Wolf (Princeton University).


 

Blodgett Artists in Residence

2003
Pierre Boulez
Fedele

2004
madrigal Singers
Jean-Claude risset
Rafael Hillyer
Andrew Parrott
Greg Osby Quartet
Betty Comden

2005
Harrison Birtwistle
Orfeo performance
Donald Grieg
Barbara Haggh Huglo
Koo Nimo, Daniel amponsah

2006
Neba Solo

2007
Lee Hyla
Harvard Early Music Society to Versailles
Faculty concert

2008
Clerks Group
Juilliard String Quartet
Tashi
Geri Allen

2009
Aster Aweke

2010
Ursula Oppens

2011
Iancu Dumitrescu
Harrison Birtwistle
Bahman Panahi
tom Everett
Benjamin Bagby and Katarina Livljanik

2012
Paulina Oliveros

2013
John Harbison
Andrea Miller and Apontus Lindberg
Sweet Honey in the Rock

 

c 2013 President and Fellows of Harvard College