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Alumni Profiles

 
Forrest O'Connor '10
co-founder, Concert Window
 
Aram Demirjian '08
Asst. Conductor, KSO
 
Ben Eisler '08
Health Producer, CBS News
 
Chrix Finne '07
Product developer, Google
 
Emily Richmond Pollock '06
Assistant Professor of Music, MIT
 
Berenika Zakrzewski Schmitz '05
Pianist, Arts Administrator
 

 


 

Aram Demirjian '08
Assistant Conductor, Kansas City Symphony

conductor, cellist, singer, political junkie, football fan

 

Music concentrator because:

When I entered Harvard, music was a huge part of my life -- but not what I meant to pursue professionally. I was active as a cellist and a singer, and even as a freshman, I had my sights set on taking advantage of the many conducting opportunities on campus. But at that point, I was intent on being a Government concentrator and eventually working in Washington, DC. And for about two-and-a-half years, that was the path that I followed, even interning in DC one summer with then-Senator, now-Secretary of State John Kerry. Despite all of the politics, however, music was still the center of my existence. I sang in UChoir and the Choral Fellows, played in HRO, and landed my first conducting opportunity with the G&S Players. I even took all the classes a music concentrator would have taken -- probably because subconsciously I knew there was always that chance that music would eventually be my concentration.

Then, late in my sophomore year, I won the audition to be music director of the Bach Society Orchestra, and that's when my professional ambitions really started to shift. Conducting BachSoc quickly became like a full time job - it was my most important commitment (admittedly, even more so than my classes), both by choice and by necessity. I loved being a conductor, helping to run an orchestra, and all the responsibilities therein. I soon realized that conducting was my calling. (As Prof. Tom Kelly told me, "We don't choose music - it chooses us.") At that point, I officially switched to a joint concentration in Music and Government, both so that I would have greater flexibility to take more music classes, but also to strengthen my resume for grad school applications, since I knew some would question why I did not attend a conservatory for undergrad.

In the years that followed, I did a Master's degree in Orchestral Conducting at NEC (studying with another Harvard alum, Hugh Wolff '75), and in 2012, I won the position of Assistant Conductor of the Kansas City Symphony.

Current job:

My primary responsibilities with the Kansas City Symphony are conducting the Pops, Family, Education and Outreach concerts, and covering all Classical Series concerts. I also conduct a series called "Classics Uncorked," which is a happy hour series designed to present significant works from the symphonic repertoire to new audiences in a casual setting (complete with drinks and socializing). It's a wonderful organization, with a superb artistic staff and phenomenal musicians with whom it is a pleasure to collaborate. My job is particularly great because of the amount of time I get to spend on the podium. I actually conduct as many concerts in a season as the music director (yet another Harvard alum, Michael Stern '81) conducts.

The way music fits into that:

I think it's pretty self-evident the way music fits into my job! My extracurricular activities at Harvard, particularly conducting BachSoc, were the best imaginable hands-on preparation for life as a professional conductor. Much of what I do in my job - conducting, creating rehearsal schedules, programming, budgeting, and working with an artistic staff -- is basically a larger-scale, higher-stakes version of what I did as music director of BachSoc. And my training in the Harvard Music Department prepared me for becoming a conductor better than I could have ever predicted as an undergrad, especially the theory classes. It sounds cliche, but all of that work -- playing and analyzing Bach chorale upon Bach chorale, endless form and harmony exercises, and ear training practice -- really pays off. Life as an assistant conductor is largely a test of endurance. In any given week I have at least two different programs to study, in addition to whatever I am actually currently rehearsing, so efficiency is my best friend. I fall back on the basic skills and musical tools I learned at Harvard so frequently on a day-to-day basis that I'm not even conscious of it anymore.

Aram's website: www.aram-demirjian.com
Kansas City Symphony website: www.kcsymphony.org

BACK TO UNDERGRADUATE STUDIES


Listen In on...
Music 175 class recital:
Transfigured Night 12/12
[Pierrot Lunaire]

Music 153 class concert: Jazz Harmony 12/12
[Moogology]
[Joint Fracture]
[Coffee for Midterms]

VIDEOS


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Voice Studies/NEC joint program

Sound Studies Lab opens at Harvard
 
 
 



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