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a guide to the staff and their interactions with the HRDC |
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| Loeb Technical Director/ HRDC Advisor: J. Michael Griggs | HRDC Advisor: Marcus Stern | |
| Production Manager: Pat Quinlan Costumes: Jeanette Hawley Lighting: Derek Wiles Stage: Jaie Lozier Properties: Cindy Lee Scenery: Steve Setterlun Sound: David Remedios Costume/Prop stock: Suzy Kadiff |
Space Scheduling: Chris Viklund Business Office: Nancy Simons, Stacie Hurst, Angela Paquin House Manager: Tracy Keene Zero Arrow: Skip Curtiss Stage Management: Chris De Camillis Director of the Institute: Scott Zigler |
Voice & Speech: Nancy Houfek Publicity: Kati Mitchell, Founding Director: Bob Brustein Artistic Director: Diane Paulus ART Institute: Julia Smeliansky Exectutive Assistant: Julia Renaud |
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J. Michael Griggs Loeb Technical Director/ HRDC Advisor My primary job is to be the first point of contact on the ART staff for those producing HRDC shows in the Loeb Drama Center. I meet with all producers and designers to discuss and approve their plans and budgets for production. I can advise you on issues of design, materials, contsruction and Loeb policies. If I don't have the answer I can point you to someone who does. I try to resolve conflicts between HRDC productions and the ART and Institute production departments by acting as a liason between HRDC and various departments within ART. I supervise use of the Loeb shop by HRDC productions. I maintain the tools in the red (HRDC) tool room and replenish the expendible stocks of screws, staples, glue etc. I keep the stock of lamps for the Ex lighting instruments. Check my website Loebinfo.com for other things I can provide for your shows. I have tried to make a fairly comprehensive list of policies, vendors, inventories and other information helpful for HRDC productions on my Loeb Info website which is probably how you got here to begin with: you can get in touch with me anytime by e-mail: jmgriggs (at) fas Michael Griggs ART bio page |
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Marcus Stern HRDC Faculty Advisor Associate Director of A.R.T. and A.R.T. Institute As HRDC faculty advisor I advise on undergraduate mainstage and ex productions, coordinate the other A.R.T. faculty advisors for the ex shows, and assist in coordinating the theater classes offered here at Harvard for the undergrads. I work closely with the HRDC president, HRDC board and Rob Orchard to help facilitate communication between the undergrads, ART and The Institute. I serve on the Office for the Arts committee that gives theater grants to undergrads each semester, as well as on the Committee for Dramatics that oversees the undergraduate theater curriculum. I teach undergrad classes and workshops in acting, directing and screenwriting. I meet with students regarding training, questions having to do with shows they're currently working on and pursuing theater/tv/film after school. I also try to help match up appropriate ART or Institute faculty, staff and/or grad students who might best assist an undergraduate with a theater question or issue. As part of our continued effort to help create mutually rewarding interactions and relationships between the undergraduates, the A.R.T. and The Institute please feel free to contact me and/or the HRDC board with any ideas, questions, or concerns you may have. Our goal is to achieve the best and most supportive communication possible between three strong, productive and creative entities -- we want everyone to reap maximum benefits from each other's presence here at The Loeb. Marcus Stern's ART bio page |
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Pat Quinlan Production Manager As the Production Manager for the ART I oversee the technical departments, coordinating their work with the artistic goals of the directors and designers of the ART shows. I can generally answer questions about what's going on with the ART shows or who your most valuable resource within our organization would be. My schedule can be quite busy, so if you'd like to talk please set a time for an appointment. I'm best reached by e mail, patricia_quinlan |
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Jeannette Hawley Costume shop Manager typical hours: 9am -6pm I manage the costume shop and related areas, including stock storage. I hire and train staff for the costume shop to produce costumes for all ART productions. We do support student production with limited use of the stock and shop space after hours. HRDC costumes designers and technicians need to come visit with me to learn how and when to use the shop and stock. Suzy Kadiff is the point person for the stock rooms. I am very willing during the day, to educate and assist students with research, production and shop tools use. The shop does maintain a supply of student tools. It is very important to schedule a meeting with me ahead of time since I am often in meetings, fittings or tech. My email is jeannette_hawley |
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Derek Wiles Master Electrician The A.R.T. Lighting department consists of Derek Wiles, Master Electrician and Ken Helvig, Lighting Assistant and David Oppenheimer, ligh board operator. We are here to assist and advise students on any lighting, electrical, and special effects issues for HRDC or other productions. Please feel free to stop by and see us in the booth, we are usually here from 8am-5pm. You can also reach us by e-mail or on the phone which ever is easier. If it is tech, we might not have alot of time but we will do our best to help.
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David Remedios ART Resident Sound Designer I am the primary sound designer for ART productions, and am also head of the ART sound department. I am available to advise HRDC sound designers in designing their shows and to assist them in selecting sound effects from our CD library, but I look to the designers themselves to build their cues and to assemble their show media with their own resources. Time with me in the sound booth during the regular business week can be requested for mainstage and EX productions with at least 2 days notice. Please note that the booth is not available during ART tech periods. I am happy to recommend sound equipment and vendors for specific productions, but cannot always provide extra stock from the ART inventory. Any ART sound equipment that is used by an HRDC production must be approved by me and must be returned to me in working order at the end of the production's run. office 495-2668 x8862 e-mail david_remedios David Remedios ART bio page |
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Jaie Lozier Stage Supervisor I am responsible for maintaining the main stage area, and the soft goods inventory. We can usually answer questions about: how to rig a pipe, what is the best way make this happen, or getting soft goods for your show. Although we work on the main stage we can most likely give you help with any questions that you may have about an ex show or any other spaces around Harvard. If you just have a quick question we can almost always help but if you need to sit down for a while you may want to try and make an appointment as we are usually fairly busy. Read the soft goods guidelines
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Cindy Lee Properties Manager Typical hours: 8:00AM 4:30PM I am responsible for all the props for all ART main stage and new stages shows. Trish Green is the Assistant Properties Manager and Stacie Horne is the props carpenter. We maintain the Loeb Drama shop and all the stationary tools in it. If you are the TD for an HRDC show, I would like to have you drop in and introduce yourself or send me an e-mail and tell me what your project is and when you will be working. I dont teach students how to use power tools please see Michael Griggs or your HRDC Tech Liason for that. I will give tips when improper tool use use is seen. Suzi Kadiff rents props to students, but occaisionally an ART stock item is lent through Michael Griggs, for main stage shows only. cindy_lee |
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Steve Setterlun ART Technical Director I am the technical director for the shows produced each year by and for the American Repertory Theatre. That includes Loeb and Pudding productions as well as tours, but does not include Institute shows. Additionally I am responsible for the A.R.T. scene shops upkeep (it is off-site of the Loeb facility), and matters relating to stage houses that A.R.T. shows are staged in. Among other things, this includes issues pertaining to structures, storage, safety, and mechanics. Matters concerning scenic techniques and construction should be addressed with Michael Griggs first. |
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Chris Viklund Associate Production Manager, Loeb Space Scheduler typical hours: 10am-6pm M-F I help to facilitate many aspects of productions for the A.R.T. and the Institute, and can also work with Michael Griggs in liasing between HRDC and the ART and Institute. I handle all space scheduling for the Loeb on a weekly basis. I can often serve as a source of information regarding what's happening when, if the space you want is available, or where you might be able to find something or someone you need for your show. My job is to make things happen, and I'm happy to help anyone make things happen for any show in the Loeb. email chris_viklund or 495-2668 space should be requested one week in advance using forms at the Donut. Loeb Space Forms and Guidlines are now online here. |
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typical hours: 10am-6pm M-F At A.R.T., we run front-of-house (other than the box office), the donut, and are also in the front lines of building maintenance. We can help HRDC shows coordinate with A.R.T. in these areas, and we also employ students as ushers and donuteers. tracy_keene |
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Suzy Kadiff Costume Stock Manager The stock rooms for costumes and props are operated by Suzy Kadiff. go to the costume and prop stock policy |
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Skip Curtiss Associate Production Manager, Zero Arrow Street Theatre Revised description coming sooner or later. The best way to contact me is through email: skip_curtiss ex. 8836 |
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Chris De Camillis Artistic Coordinator As Artistic Coordinator I am responsible for casting on all mainstage productions, contracting Equity and non-equity performers, and I am the theatre's representative to Actor's Equity Association and the Society for Stage Director's and Choreographers. As resident stage manager I am responsible for hiring of all Equity stage managers, supervising all production associates involved in Mainstage productions, and all Equity scheduling outside of respective rehearsals. The best way to contact is through email at christopher_decamillis Chris De Camillis ART bio page |
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Nancy Simons Comptroller Typically: 11am-7pm M-F I oversee the financial operations of the entire organization, including creating budgets; tracking, approving and coding expenditures; processing non-box office receipts; and reporting on financial activities, including the annual audit. I also handle personnel (exclusive of casting and artists' unions) for the theatre. I work with the HRDC board, especially the treasurer, on the allocation and distribution of show budgets and club funds. I also control access to the buildings' copiers for any funded show (including pre- and post- season shows that receive some club funding). I'm happy to discuss the financial side of arts management with students who are interested, or to help producers address particular financial challenges. I've also been around a long time (since 1981), so can often point you to the right person if I'm not it! Your best bet for contacting me is to drop by my office (last fishbowl on the right) or email me at nancy_simons |
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Stacie Hurst Financial Officer 9:30am-5:30pm Mon-Fri I process vendor payments and student reimbursements for all HRDC production costs. I keep file copies of all HRDC approved show budgets. Once you get your show budget approved you should come see me. If you need reimbursemnt forms or tax exempt forms, see me. stacie_hurst |
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Angela Paquin Financial Officer I process payment for the rights to HRDC shows and I work with HRDC producers and directors when they need help in securing these rights. Some corporations will only discuss terms for rights with an ART staff member: I am the person you should see when this happens. 6-2000, 8827 |
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Scott Zigler Director, A.R.T. Institute Artistic Coordinator, New Stages As Director of the ART Institute, I assist Francois Rochaix and Marcus Stern in the day to day running of our graduate programs in acting, directing, and dramaturgy. I teach graduate classes in acting and directing, and a seminar on new play dramaturgy. I am also in charge of new play development for the ART. As head of the Institute acting program I am responsible for supervising the acting curriculum, and monitoring the acting students work in Institute productions. scott_zigler Scott Zigler's ART bio page |
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Nancy Houfek Head of Voice & Speech I provide the A.R.T. professional company with voice, speech, dialect and text assistance. I teach Institute classes in all aspects of vocal production, administer the voice internship program, oversee vocal use in Institute productions, and teach/mentor the new M.F.A. with a voice concentration. Nancy Houfek's ART bio page |
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Julia Smeliansky Administrative Director, ART Institute I am the Administrative Director of the American Repertory Theatre/Moscow Theatre School Institute for Advanced Theatre Training at Harvard University, a professional graduate-level program in acting, directing, and dramaturgy. I am the liaison between the faculty and the students, between the Institute and the Harvard faculty of Arts and Sciences, the Extension School, and the Summer School. I am managing the Institute budget,, producing faculty and student-directed shows, overseeing admissions and financial aid procedures, and overseeing Institute's daily schedule. I also teach a graduate course in The History and Practice of Set Design. |
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Kati Mitchell Director of Press and Public Relations typical hours: 9am - 5pm Direct press relations, publications, promotions, and photography for the theatre and the A.R.T. Institute for Advanced Theatre Training.Responsibilities include: developing and implementing institutional public relations plans, coordinating creation and distribution of press and promotional materials; relationship with television, print, and radio; press campaigns for season productions, including preview features, interviews with actors, directors, and creative staff, organizing press night; press coverage for special events, A.R.T. Institute productions, lecture series, and gala events; production and editing of Newsletters and theatre programs; planning special promotions with local stores and businesses; maintenance of visual record of all productions, including contracting and scheduling photographers, selection of images and distribution to local and national press; creation of promotional videos, working with video production companies in filming, selection and editing of footage, and subsequent distribution to media; organization and upkeep of press files and press list. I can give advice on all above matters, lend mailing list for their use. 495-2668 kati_mitchell |
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Diane Paulus
Artistic Director of Make appointments with Julia Renaud though the main office 617-495-2668 |
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Bob Brustein Founding Director & Creative Consultant Bob Brustein's ART bio page |
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