African Dance Diaspora

A symposium on Embodied Knowledge

Friday, March 25


3:15

WELCOME


Ingrid Monson & Deborah Foster (Harvard University)


3:30 - 4:30

OPENING GAMBIT:


“Move Your Words”

Elizabeth McAlister (Wesleyan University) & Lovely Nicolas


5:00 - 6:30

MOVEMENT WORKSHOP:


How We Got to the Funk 

Jawole Willa Jo Zollar, Founder and Artistic Director of Urban Bush Women


Break for Dinner


8:00 - 9:30

FILM SCREENING: NORA

followed by a panel discussion with:


Alla Kovgan (NORA Co-director)


Jawole Willa Jo Zollar (Urban Bush Women)


Robb Moss (Documentary Film Maker, Harvard University)


Joan Frosch (University of Florida)



Saturday, March 26


9:30

WELCOME & INTRODUCTION


9:45 - 11:00

EMBODIED KNOWLEDGE

Moderated by: Brenda Dixon-Gottschild  (Temple University, Emerita)


Yvonne Daniel (Smith College, Emerita)

“The Ritual Classroom”


Nadine George-Graves (UC-San Diego)

“Elementary School Meets Performance Theory: Blackness, Diaspora and Spidering

in the 21st Century”


John C. McCall (Univ. of Southern Illinois

“The Signifying Leopard: Understanding Ekpe’s ‘Body of Knowledge’”


Carrie Noland (UC-Irvine)

“Poetry and Performance”


11:15 - 1:00

BODIES IN TIME: Synchrony in Music & Dance

Moderated by: Kay Kaufman Shelemay  (Harvard University)


Corinna Campbell (Harvard University)

“Personalizing Tradition: Performing Daily Life in Surinamese Maroon Folkloric Dance”


Katherine Hagedorn (Pomona College)

“Mole Yansa: Embodying the Sacred Knowledge of Babalú-Ayé”


Carla Martin (Harvard University)

“Between Two Cultures: Language, Music, and Hybrid Identity in Sara Tavares    

Urban Cape Verdean Diaspora”


Ingrid Monson (Harvard University

“Jazz and Embodied Knowledge”


Patty Tang (MIT)

“Bàkks in Motion”



Break for Lunch


2:00 - 3:30

AFRICAN DANCE: Migration & Cultural Transmission

Moderated by: Thomas F. DeFrantz (MIT)


Esailama Diouf (Northwestern University

”SAUCE!: Kitchen Conversations about Dance and Cultural Knowledge”


Habib Iddrisu (Northwestern University

“From the Wellspring of Dagbon Village to International Stage: Understanding the Journey of Baamaaya Music and Dance”


Sharon Kivenko (Harvard University)

“Watching and Doing: Pedagogies of Performance and Practice in Malian Dance”


Mecca Zabriskie (Northwestern University

“Quilted Embodiments: Dancing as a Way Back Home and Beyond”


4:00 - 5:30

MASTERCLASS:


Ronald K. Brown,

founder and Artistic Director of Evidence, A Dance Company



Break for Dinner



Saturday Evening


8:00 - 9:30

DANCE THE DIALOGUE: Performances & Roundtable Discussion


Ronald K. Brown (Evidence, A Dance Company, NYC

“Prayer and Celebration”


Thomas F. DeFrantz (MIT, Slippage:Performance/Culture/Technology)

Excerpts from “Monk’s Mood: A Performance Meditation on the Life and Music of

Thelonious Monk”


Cynthia Oliver (COCo Dance Theatre, Univ. of Illinois, Urbana-Champaign)

“Calypso: An Agent of Caribbean Diasporic Communion”


Zab Maboungou (Zab Maboungou / Compagnie de Danse Nyata Nyata, Montreal

“De/liberated Gestures”


10:00 - 1:00

UHURU AFRIKA DANCE CELEBRATION


@ CAMBRIDGE QUEEN’S HEAD


Featuring Malinké balafonist Balla Kouyaté




Sunday, March 27


10:00 - 12:00

DANCE WORKSHOP:


Lacina Coulibaly (Yale University) and Sidi Mohamed “Joh” Camara (Troupe Sewa, Boston)



12:15 - 1:15             

NEW DIRECTIONS: An Open Conversation and Performance Excerpt*

Moderated by: Deborah Foster & Joan Frosch


Michelle Bach-Coulibaly (Brown University)


De Ama Battle (Art of Black Dance & Music)


Sidi Mohamed “Joh” Camara (Boston)


*Emily Coates (Yale University)


*Lacina Coulibaly (Yale University)


Fatou-Carol Sylla (Boston)


Grete Viddal (Harvard University)