|
||||||||
|
|
||||||||
AboutEventsPeopleFellowships & GrantsStudent ResourcesCommunity OutreachLibrary CollectionPublications
|
|
|
Emergent Visions: New Independent Documentaries
Combining narrative cinema, performance art, and experimental theater, Rumination (Fanchu) is a powerful fiction film that focuses on a handful of characters living in a desolate rural landscape during the Great Proletarian Cultural Revolution. The protagonist is a boy who comes of age in the fervor, violence, and instability of 1966 to1976 as slogans replace dialogue and youth overturn authority. Rather than simply tracing events in a typical linear fashion, however, director/screenwriter Xu Ruotao projects two countervailing trajectories of time: the film begins with the death of Mao Zedong and the end of the Cultural Revolution even as time seems to march forward from the film’s first title card, which reads “1966,” the year the Cultural Revolution began. This unique structure not only expresses a new cinema of historical re-digestion, but also evokes provocative associations with contemporary Chinese society. Filmed on a small budget with the help of fellow artists and played by a cast of nonprofessional actors, painter Xu Ruotao’s first filmic endeavor produces a poetic yet haunting vision of these ten years of upheaval, impelling a renewed and realigned confrontation with history. Discussant: Eugene Yuejin Wang, Abby Aldrich Rockefeller Professor of Asian Art, Harvard University
|
|||||
Home | Site map | Harvard Search Engine | John K. Fairbank Center for Chinese Studies, CGIS South Building, 1730 Cambridge St., MA 02138 | 617-495-4046 | ||||||||