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Emergent Visions: New Independent Documentaries
Dancing with Oneself portrays a group of middle-aged men and women who meet at a park in Beijing every morning for ballroom dancing. Coming mostly from the lower social strata, fatigued by problems of the everyday, these people come to dance to experience an intimate and sentimental liaison with others. Compared to most social documentaries made in contemporary China, this film is particularly light, humorous, and, to some extent, frivolous. Starting with the dancers using the camera screen as a mirror to preen themselves, ending with a man enacting to the camera an incredible performance of the plasticity of the body, the film investigates the seemingly superfluous and inconsequential things in life: day-dreams, half-romances, and bodies seeking graceful flirtations. Li Hong, whose first documentary film Returning to the Phoenix Bridge (1997) won the Ogawa Shinsuke Prize for its intimate portrayal of women migrant workers living in Beijing, in this second film continues to investigate the structures of sentimental subjectivities. 60 minutes
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