The Department of English and American Literature and Language

John Picker
Associate Professor of English and American Literature

email: picker at fas.harvard.edu
Phone: (617) 496-8484

Ph.D., University of Virginia.
at Harvard since 2000

Recent Courses

"Literature and Science in the Nineteenth Century," "Charles Dickens," "Transatlantic Literature," "Victorian Modernity," "The Novella," "Literature and the Mediated Subject," "Victorian Cultural Studies"

Research Interests

Nineteenth-century literature, especially Victorian; cultural and media studies; literature and science; transatlanticism; reception history

Book

Victorian Soundscapes, Oxford University Press, 2003.

click image to enlarge

Current Projects

Electric Affinities, Oxford University Press, under contract.
“Invisible Blackness”
“Atlantic Cable,” Victorian Review (forthcoming 2008)

"'Yankee Doodle' and 'The Star-Spangled Banner,'" in A New Literary History of America, ed. Greil Marcus and Werner Sollors (Cambridge: Harvard UP, 2009)

Recent Articles
Those with a Harvard ID can click on selected article titles to see full-text versions.

Victorian Soundscapes Revisited,” in Victorian Soundscapes Revisited, ed. Martin Hewitt and Rachel Cowgill
(Leeds: Trinity and All Saints, 2007)
: 36-52
George Eliot and the Sequel Question,” New Literary History 37 (2006): 361-88
“The Two Voices,” Victorian Poetry 41 (2003): 642-45
“The Tramp of a Fly’s Footstep, or, the Shriek, Rattle, and Roar of a Victorian Sound Track,” The American
Scholar 71.2 (2002): 85-94
The Victorian Aura of the Recorded Voice,” New Literary History 32 (2001): 769-86
“The Soundproof Study: Victorian Professionals, Work Space, and Urban Noise,” Victorian Studies 42 (2000):
427-53
“‘Red War Is My Song’: Whitman, Higginson, and Civil War Music,” in Walt Whitman and Modern Music: War,
Desire, and the Trials of Nationhood, ed. Lawrence Kramer (New York: Garland, 2000), 1-23
Disturbing Surfaces: Representations of the Fragment in The School for Scandal,” English Literary History 65
(1998): 637-52
“Shakespeare Divided: Revision and Transformation in Marowitz’s Variations on The Merchant of Venice and
Wesker’s Shylock,” Journal of Theatre and Drama 2 (1996): 75-91
“The Union of Music and Text in Whitman’s Drum-Taps and Higginson’s Army Life in a Black Regiment,” Walt
Whitman Quarterly Review 12 (1995): 230-45
“Shylock and the Struggle for Closure,” Judaism 43 (1994): 173-89; repr. in Shakespearean Criticism 53, ed.
Michelle Lee (Detroit: Gale, 2000), 127-36


Last Updated: October 23, 2007