Clemente Padin

 

Celamour

 

Wor(d)ead

 

Visual Poem: under this denomination those poetic formations were gathered that, in a way or other, subverted the habitual codes of emission and reception of the discursive or merely verbal poetry. The Experimental Poetry made use of the expressive possibilities of the sounds and forms of the words and/or letters, on their verbal or non-verbal stream, with or without para-verbal elements, i.e., with or without images or any kind. If the image prevailed the poem was called Visual Poem, if it was the sound, Phonic Poem

Clemente Padin

 

Clemente Padin was born in Lascano, Rocha, Uruguay (October 8th 1939). He is a poet, graphic artist, performer, videomaker, multimedia & networker. He edited the magazines Los Huevos del Plata (The Silver´s Eggs), 1965-1969; OVUM 10 and OVUM, 1969 -1975, Participación (Participation) 1984 -1986 and Correo del Sur (Southern Post), 2000 - 2003. He has shown his works in several individual exhibitions in United States of America, Italy, Korea, Argentina, Uruguay, Germany, Spain, Brazil, Belgium and Japan. Since “The Poetry should Be made for All,” (Montevideo, 1970), he has carried out countless performances in many places of the world. He has participated in multiple events in Internet since 1992 and have published two CD ROMs with Net Art.

 

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INFINITY :: 2005 :: Dudley House (Harvard University). Jamey Graham and Melissa Shields

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