Cultural Agents Initiative Newsletter
Week of
April 29th to May 5th
2009
In This Issue
Chinatown Paper Picker Press
Art Forum Speaker Series: Betsabe Romero
"Novia Que Te Vea/ Like a Bride": A film by Guita Schyfter
The Church of What's Happening Now, New Art, New Artists: Phil Collins in Conversation
Shelley Neill with Laszlo Gardony, Yoron Israel, Ron Bahdi
Featured Article: Literature that Changed My Life
China Town Paper Picker Press
Boston China Town Neighborhood Center - BCNC
885 Washington Street, Boston, MA, 02111
Spacial Arts: Tuesday, May 5th
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The Cultural Agents Initiative
and
The Boston China Town Neighborhood Center

Proudly Present:

Paper Picker Press Workshop
 for
Artists and Educators


For more information Contact:

Marcela Mahecha, mahecha@fas.harvard.edu
Art Forum Speaker Series: Betsabe Romero 
Wednesday, April 29th 6:00-8:00pm
Center for Government and International Studies, South, S-050 Concourse Level, 1730 Cambridge Street, Cambridge
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Distinguished by her poignant sculptures and site specific installations in which low brow vernacular Mexican themes are appropriated and transformed into high brow conceptual interventions, Mexican artist Betsabe Romero will engage in a dialogue with Julian Zugazagoitia, Director of El Museo del Barrio in New York City, and curator of Lagimas Negras, her mid career retrospective, organized last year at the Museo Amparo in Puebla, Mexico.

Departing from her meditation on the creative process she engaged at the Museo Amparo, in which she produced a set of new pieces for her show based on the museum's premier prehispanic collection, the conversation will center on the uses of history as a privileged subject in the production of contemporary art within Mexico, and the way in which, by refreshing the experience of history, art has become an important, recognized trigger in the production of new interpretations of the past.

In collaboration with the Amparo Museum, México.

Respondants:
Julian Zugazagoitia, Museo del Barrio and New York City

For more information go to: http://www.drclas.harvard.edu/programs/art_forum

Contact: Marcela Ramos, mvramos@fas.harvard.edu
"Novia Que Te Vea/ Like a Bride": A film by Guita Schyfter
 Thursday 03/30/09
CGIS South, S-010, Tsai Auditorium, 1730 Cambridge St. Cambridge
06:30 - 08:00pm
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Film screening and conversation with

Filmmaker:
Guita Schyfter

and

Screenwriter:
Hugo Hiriart



Guita Schyfter's small, sensitive film breaks no striking new ground in telling the stories of Oshinica Mataraso, the daughter of Sephardic Jews who arrived from Turkey in 1927, and her friend Rifke Groman, whose family survived the Holocaust. Oshinica, played by Claudette Maille, chafes against a tradition-bound family that has reared her to become a bride, and the sooner the better. But while her mother encourages her to learn sewing, Oshi develops a yearning to study art. Rifke (Maya Mishalska), is a born rebel, active in the Zionist socialist youth movement and attracted to Saavedra (Ernesto Laguardia), a handsome young Gentile with Communist sympathies.

The Church of What's Happening Now, New Art, New Artists: Phil Collins in conversation with Lucien Castaing-Taylor and Helen Molesworth.
Thursday April 20th 6:00-7:00pm
Harvard Hall 202
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Presented by the Humanities Center at Harvard and The Harvard Art Museum.

Seating is limited; open to the public.
 
Shelley Neill with Laszlo Gardony, Yoron Israel, Ron Mahdi
Friday, May 1st, 7:30-9:30pm
Cambridge Multicultural Arts Center, 41 Second Street, Cambridge, MA
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After a three-year hiatus, Shelley Neill resumes her musical collaboration with pianist Laszlo Gardony, drummer Yoron Israel and bassist Ron Mahdi. Her last musical venture, a blues trilogy, explored the links between blues and vocal jazz.

Described by Dave Brubeck as "having an original blues singer's sound" her new project, Irish Eyes Gypsy Soul, has her remaining true to her blues and jazz roots, and immersing herself in new and equally soulful musical ideas."She's got a well of talent and puts on a great show. She doesn't improvise as much as she interprets, which suits her distinctive voice." - The Boston Globe

For more information:
http://www.cmacusa.org/HTML/performingarts.htm

 
Featured Article


Partners Meeting
 on:

  Safer Cities
Urban Crime and Violence Prevention through the Arts:
 
"From Communities at Risk to Communities with Potential"
 
 April 29-30, 2009
  Harvard Faculty Club

The meeting is part of ongoing efforts at UN-HABITAT to shift the focus of prevention approaches from risk to opportunity: children and youth, even in unfavorable
 socio-economic conditions, do not represent a risk, but rather an opportunity to build social capital of youth based on their rights and more specifically on their right to take part in the decision making process on issues related to them. In this context, the concept of social capital refers to the advantages and opportunities people have; the benefits based on the ability to create and support voluntary associations and cooperation networks. In their relationships, people use values and standards, moral and cultural rules are result of the formation of their personalities in given contexts and it is precisely in these relations where the capital is located. Similarly, the resources obtained through ties are values, knowledge and abilities that contribute to community insertion, to the strengthening of solidarity and social integration.  


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