t Boston Area Classics Calendar
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BOSTON AREA CLASSICS CALENDAR





Fri., Apr. 25, 4:00 p.m.
HARVARD UNIVERSITY, Humanities Center, Barker Center, Room 133, 12 Quincy Street, Cambridge, MA 
A James Loeb Lecture sponsored by the Department of the Classics
Bernd Seidensticker (Freie Universitaet, Berlin)
"Dance in Satyr Play"

Fri., Apr. 25 - Sat., Apr. 26
YALE UNIVERSITY, Linsly-Chittenden Hall, 63 High Street, New Haven, CT
Graduate colloquium "Provincials and Empire"
Keynote address: Clifford Ando (University of Chicago)
Sponsored by the departments of Classics, History, and History of Art, the Graduate School 
and the European Studies Council
A conference program is available at www.yale.edu/classics/news.html
For free registration, please email your name and institutional affiliation to prov.conference@gmail.com; 
registration deadline is APRIL 11th
See Appendix for details

Wed., Apr. 30, 6:00 - 8:00 p.m.
HARVARD UNIVERSITY, Humanities Center, Barker Center, Room 133, 12 Quincy Street, Cambridge, MA
Seminar on Modern Greek Literature and Culture
Anna Stavrakopoulou (University of Thessaloniki)
"Greek Phanariots and their Struggle for Survival between Empires: Alexander Mavrokordatos 
(1754-1819) and Alexandrovodas the Unscrupulous (1785) by G. N. Soutsos"

Thurs., May 1 - Sat., May 3, 8:00 p.m.
HARVARD UNIVERSITY, Agassiz Theater, Radcliffe Yard, Cambridge, MA
The Harvard Classical Club presents Terence's "Brothers" (in original translation)
Ticket Price: $5 for everyone
See Appendix for details

MUSEUM OF FINE ARTS, BOSTON, 465 Huntington Avenue, Boston, MA
Spring 2008 Gallery Report: Due to ongoing construction at the museum, some Classical installations 
have been temporarily de-installed. We expect that as the spring term begins, the following galleries 
will be OPEN on a regular basis: East Greek Art (1A11); Etruscan Art (1A01); Archaic Greek Art 
(1A06); Classical Greek Art (2A02); Roman Art (2A06); and Art of the Eastern Roman Empire, 
including the Antioch Marine mosaic (2A07). We thank you for your patience and understanding. 
If you have questions about particular pieces, you can reach the Classical offices at (617) 369-3256.



APPENDIX:

Fri., Apr. 25 - Sat., Apr. 26
YALE UNIVERSITY, Linsly-Chittenden Hall, 63 High Street, New Haven, CT
Graduate colloquium "Provincials and Empire"
Keynote address: Clifford Ando (University of Chicago)
Sponsored by the departments of Classics, History, and History of Art, the Graduate School 
and the European Studies Council
A conference program is available at www.yale.edu/classics/news.html
For free registration, please email your name and institutional affiliation to prov.conference@gmail.com; 
registration deadline is APRIL 11th

This colloquium explores aspects of provincial attitudes and responses to Roman power, from the Late 
Republic through Late Antiquity. How did provincials represent and negotiate Roman power? How did 
the realities of empire affect the lives and identities of communities from around the Mediterranean? 
Topics of special interests include: provincial law; local identities; art and architecture; trade and 
communication; and religion.


Thurs., May 1 - Sat., May 3, 8:00 p.m.
HARVARD UNIVERSITY, Agassiz Theater, Radcliffe Yard, Cambridge, MA
The Harvard Classical Club presents Terence's "Brothers" (in original translation)
Ticket Price: $5 for everyone

Terence's "Brothers" is a hilarious Roman comedy about the difficulties of adolescence and the best 
way to raise a child. When Aeschinus assaults a pimp in order to facilitate the romantic inclinations of 
his brother Ctesipho, he ends up putting his own romance in peril. Meanwhile, the brothers' father 
Demea is running all over Athens (literally) to find his brother Micio to admonish his indulgent 
lifestyle. Through a series of unfortunate events, the two pairs of brothers work out their various issues 
and everything comes to a (relatively) happy ending. Updated by the Classical Club with a new, 
outrageously witty and racy translation, and complete with traditional sets and costumes, this 
masterpiece of Roman drama is full of vivid characters and roles with great comedic opportunity.



Wheelchair access:
to the Barker Center at Harvard via the ramp at the main entrance off
Quincy Street, and from there along the same level (i.e. first floor) to
the Humanities Center; to Boylston Hall at Harvard via the ramp to the
basement at the main entrance in the Yard, and from there by the elevator
to the W. S. Fong Auditorium (a.k.a. Boylston Auditorium) on the first
floor; to Andover Hall at Harvard Divinity School via the sign-posted
entrances, and from there along the same level (i.e. first floor) to the
Sperry Room. There is regrettably no wheelchair access to the Semitic Museum
at Harvard.








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