In 2004, the Expressive Culture Working Group decided that the best way for students to learn the intricacies of African music and dance would be through the creation of a Mande drum/dance ensemble. Jembe drums and dun duns were purchased and a combined dance and drum class, taught by Malian master drummer Mohamed ‘Joh’ Camara, was offered through the Office of the Arts. This set in motion the idea of participatory learning in West African music and dance.
In 2005, PADAME was officially recognized as a student organization, exceeding the expectations of co-directors, members, and faculty advisers Prof. Ingrid Monson and Dr. Deborah Foster. With the financial help of the Working Group, it secured Joh Camara as official group choreographer and instructor. This stellar cadre of drummers and dancers has performed in venues including Harvard Foundation's Cultural Rhythms show, ARTS FIRST, and Committee on African Studies receptions. Its repertoire includes choreography by Joh Camara and Pape N’Diaye, a Senegalese choreographer. In October 2007, PADAME had the unique honor of leading the procession of Presidents at President Drew Faust’s installation ceremony.
October 2006 marked the one hundredth anniversary of Léopold Sédar Senghor’s birth. The occasion was widely celebrated throughout the world in acknowledgement of his contribution, as poet and theoretician of Negritude, to contemporary African and Black literary and intellectual life. It is in this context that the Senghor Symposium at Harvard was organized by the Expressive Culture Working Group on October 20th, 2007 under the title “Senghor The Ancestor.”
"Ethiopians in America: The Practice and Performance of Cultural Creativity in Diaspora"
Conference, Workshops and Performance, April 13-14, 2008
Organized by Prof. Kay Kaufman Shelemay, this conference brought together issues relevant to the performance of Ethiopian diaspora cultural and artistic life to the broader African Studies community at Harvard.
