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Summary of AANB Format and Style

 


STYLE GUIDE | SAMPLE ENTRIES

 

Style Guide

Table of Contents

1    INTRODUCTION

2    PLANNING YOUR ARTICLE

2.2 Readership

2.2 Scope Description

2.3 Word Allotment

2.4 Consensus of Interpretation

2.5 Originality of Scholarship

2.6 Online Sources

3    WRITING YOUR ARTICLE

3.1 Opening Paragraph

3.2 Body of Text

3.3 Marriages

3.4 Death and Summation

3.5 Living People

3.6 Identifying People, Places and Things

3.7 Dates

3.8 Quotations and Permissions

3.9 Citations

3.10 Plagiarism

4    SOME NOTES ON STYLE

4.1 Style, Grammar, spelling

4.2 Spelling

4.3 Punctuation

4.4 Capitalization

4.5 Dates

4.6 Racial Terminology

4.7 Explicit Racial Identification

4.8 Gendered Terms

5    COMPILING YOUR BIBLIOGRAPHY

5.1 Purpose

5.2 Number of Items

5.3 Availability of Works

5.4 Format

5.5 Verification of Sources

6    KEYBOARDING AND SUBMITTING YOUR MANUSCRIPT

 


 

 

 

INTRODUCTION

 

We very much appreciate your willingness to contribute to the African American National Biography (AANB), which will be the largest repository of black lives ever assembled in our nation’s history by almost tenfold. There is an enormous need for an African American national biography. No similar work has yet been produced that is devoted exclusively to black lives, or that so fully utilizes the power of so many varied scholarly resources. No research project, book, or web site has yet sought to be comprehensive in its quest to document and record black lives, therefore deepening the overall understanding of the African American contribution to American history and culture.

 

African American Lives will fill this cultural void by providing biographies of African Americans from every discipline and profession. In the process, it will restore to history the achievements of thousands of men and women whose stories have been nearly lost to us. African American studies scholars, along with the talented editors/writers on the project, are combing through hundreds of years of public records, private writings, published works, reference resources, and primary scholarship to discover the names and lives of blacks whose stories have never been told. The project will, in effect, recover lost dimensions of the black experience. Indeed, the AANB  will introduce many people to the likes of Benjamin F. Roberts, a printer who in 1849 filed a lawsuit to integrate the Boston public school system so that his daughter could be educated; Henry “Box” Brown, a Virginia slave who won his freedom by mailing himself to Philadelphia in a wooden box, then toured the country to promote emancipation; Arizona Dranes, the haunting blues musician whose handful of recordings from the late 1920s are still sought by collectors today; Mary Ellen Pleasant, a legendary woman of influence and political power in Gold Rush San Francisco who used her own money to aid African American railroad strikers and other black causes—even helping to fund John Brown’s raid on Harper’s Ferry; Annie Turnbo Malone, who almost single-handedly built up a large cosmetics company in the early 1900s, became one of the world’s wealthiest black women, then devoted much of her fortune to philanthropy; Onesimus, a slave who introduced smallpox vaccination to Cotton Mather; and Benjamin Banneker, America’s first black scientist, a reclusive mathematician and astronomer who rarely left his mother’s Maryland farm, but managed to correspond with Thomas Jefferson and publish an almanac that won him international fame.

 

A team of editors has been assembled by Henry Louis Gates, Jr., and Evelyn Brooks Higginbotham, and we have reached out to hundreds of academic experts around the country. Your contribution to this project will help make the African American National Biography a milestone in the field of African American studies.

 

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PLANNING YOUR ARTICLE

 

2.1 Readership

The encyclopedia will be used by students from the high school to the graduate school level, librarians, scholars, journalists, writers, and the educated member of the general public. Write clearly and authoritatively to a general audience that shares your interest, if not your expertise, in the subject. With the general reader in mind, avoid technical vocabulary as much as possible. When technical vocabulary or colloquialisms are necessary, make their meaning plain within the context of your writing or give equivalents in English.

 

2.2 Scope description

The scope description appropriate to your article is part of your contract. It is meant to guide—not restrict—your thinking. As a specialist, you are encouraged to shape your article according to your best judgment, although we urge you to cover the points noted in the scope description. If you wish to expand or restrict the scope of your article or if you have specific questions about it, consult directly with your assigning editor. Whether explicitly stated or not, the scope description’s intention is to relate the topic to African-American history and culture.

 

2.3 Word allotment

The word count for your article is shown in your contract; it applies to your text only and does not include the bibliography or boxes.

       Deviation from your word allotment—especially if your article is too long—will require editorial correction. If you find that, despite every effort, you are unable to keep your article to the number of assigned words, let your assigning editor know. Early consultation will help avoid cutting or rewriting at a later stage.

       A manuscript page, typed or printed out, double-spaced on 8 ½ by 11-inch paper with generous margins will contain between 250 and 275 words depending on your font size. The following scale serves as a rough guide for number of words and pages. At the end of your manuscript, provide an actual word count if your program can generate it.

 

250 words              1 manuscript page

500                        2 manuscript pages

750                        3

1000                      4

 

2.4 Consensus of interpretation

Your interpretation of particular issues is essential to the integrity of your article; at the same time, as a reference work, the encyclopedia has an appropriate, your article should alert readers to a debate, its implications, and where additional information can be found.

 

2.5     Originality of scholarship


Your article should represent your own original scholarship. If you have written on the same topic for other reference works or in a journal article, try to reword and reorganize to offer a fresh approach to the topic. We realize that there are only so many ways to state facts, but we do not want to include already published material in our reference works. More important, we cannot infringe on the copyrights of other publishers.

The Web makes it easy to search for information and to cut and paste it from other sources. If you do gather information and quotations from the Web, make sure that you identify the sources in whatever records or documents you maintain. Be cautious about the quality of information you find on the Web. It is easy to start research on a topic using Wikipedia, but Wikipedia is not refereed by scholars and the quality of its content is uncertain. Therefore, verify any item of information that you find there—and on similar sites—in trustworthy sources.

We occasionally find that an article contains plagiarized material. Using another author’s exact sentences or phrasing without providing attribution is both plagiarism and copyright infringement. Simply including the source in the bibliography without quoting directly from that source is not considered attribution. Facts can and should be drawn from a variety of sources, but the presentation of the facts must be your own. For writing of this kind, especially in the case of biographies, we understand that facts can be related only in so many ways and that a biography necessitates a structure that may be the same from one book to another, but we expect contributors to submit work that contains their own original phrases and sentences. Simply changing a word or two here and there throughout a paragraph copied and pasted from another source is not sufficient.

2.6     Online sources


Acceptable online sources are sites that are sponsored by or partnered with major educational, research, or government institutions; are authoritative; and contain peer-reviewed scholarship. Other acceptable online sources include subscription-based Web sites like those offered by OUP, Gale, Greenwood, and other major publishers.

While useful for some purposes, such as getting a quick overview of a topic or direction for further research, Wikipedia is not an acceptable source and should not be included in your bibliography. In addition, although they may be of some use in writing your article, press releases and other material retrieved from a Google search should not be included.

It is often difficult to find book-length sources for topics and figures of the contemporary era. In such cases, you may include in the bibliography sources that have a broader scope than the specific individual or topic you are writing about (e.g., books on jazz for entries on jazz musicians; books on contemporary politics for entries on contemporary political figures). 

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WRITING YOUR ARTICLE

 

3.1 Opening paragraph

All AANB entries will follow a standard format for their opening paragraphs, beginning with the first sentence. Below is an example of the AANB format for first sentences:

 

Parks, Gordon, Jr. (7 Dec. 1934 - 3 Apr. 1979), filmmaker, was born in Minneapolis, Minnesota, the eldest son of Sally Alvis and Gordon Parks, Sr., the latter an award-winning photojournalist, author, composer, and filmmaker.

 

Each entry should follow this format: entry term, complete dates of birth and death, occupation(s) or reasons for renown, place of birth, parents’ names and occupations, if known. The subject of the entry should be identified at outset by the name that would usually be used in the historical record.   For example, the entry on Joe Louis should begin “Louis, Joe”; his full formal name should be given later on: “. . . was born Joseph Louis Barrow….” The rest of the first paragraph should contain a brief account of the subject’s early life and education, not an overview of his or her accomplishments.

 

3.2 Body of text

Present the subject’s life generally in chronological order, focusing on the primary events that made the subject a notable person; significant events in private life should be woven into the chronology. Place the subject’s life and career into the broader context of history, and especially African American history, with reference to relevant people, events, movements, organizations, etc.

 

3.3 Marriages

Refer to a marriage by giving the spouse’s name before the marriage, the year the marriage occurred, and the number of children born to the couple. In the case of divorce, identify the year a marriage was terminated.

 

3.4 Death and summation

Cite the place of death near the end of the text. Place of burial should not be given unless particularly noteworthy. The date of death, which is identified in the opening sentence, need not be repeated. The concluding paragraph should not be a condensation of what you have already said, and it may be redundant to add anything to the chronological account of the subject’s life. More often than not, however, an assessment of the subject’s place in history ought to round out an article.

 

3.5 Living people

AANB entries should be timeless. If you are writing about a living subject, be sure not to end the entry with a magazine-like summation (“he lives in Pittsburgh with his wife and children”); instead, attempt to write in a style that will remain correct even after the subject passes on. Attempt to use concrete dates and the simple past tense, rather than open-ended timelines and the present tense. For instance, instead of writing “she continues to serve on several corporate boards,” you should write, “in 1995 she joined the board of Acme Corporation, one of many corporate boards she served on beginning in the 1990s.”

 

 

 

3.6 Identifying people, places and things

Most readers of your article will not be specialists. For their benefit, give, wherever appropriate, brief explanations to identify people, places, concepts, and objects mentioned in your article. For example:

 

Fannie Lou Hamer, a leader of the Southern Freedom Struggle, . . .

 

The International Sweethearts of Rhythm, the African American female swing band of the 1930s and 1940s, . . .

 

       Signs, the early Black Women’s Studies journal, . . .

 

3.7 Dates

Make generous reference wherever appropriate to dates or periods of major events, etc. For example:

 

The National Council of Negro Women, founded in 1935, was long active . . .

 

Toni Morrison’s novel Beloved, a fictional retelling of the desperate act of Margaret Garner in 1835, . . .

 

3.8 Quotations and permissions

Whenever possible, avoid quotation from previously published works protected by copyright, even if the works are your own. We suggest this for two reasons: (1) to avoid having to secure written permission to reprint material from copyrighted sources and (2) to encourage you to write an original article.

 

Use quotations only when they are essential to full understanding. If your article requires extensive quotation from previously published works, contact Anthony Aiello for guidance.

 

Indicate the source, with exact page numbers, for any quoted material as well as for interpretations and facts taken from secondary sources.

 

We will routinely check your article for material that may require permission to reprint. But the responsibility for determining copyright status of your sources and for judging the need for permission to reprint it is yours. Submit letters of permission to us along with your manuscript.

 

3.9 Citations

The AANB will not include footnotes. If your article requires an occasional citation of a specific source, give it in a short form in the text (with the page number in parentheses) and give the full reference in the bibliography. For example:

 

       As Anna Julia Cooper suggests in A Voice from the South (p. 39) . . .

 

Citation of sources listed in the Further Reading should give author’s surname and page number:

 

…where 15,000 people gathered to hear King declare Meredith’s walk against fear “the greatest demonstration for freedom ever held in Mississippi” (Dittmer, p. 402). 

 

If there is more than one book cited by that author, give a short title reference; e.g. if there were two books listed by Dittmer, the above reference would be (Dittmer, Local People, p. 405).

For sources not otherwise listed, give a short parenthetic reference:

 

…is in fact an “unrepentant black nationalist” (New York Times, 2 Feb. 2003)

 

Of this tendency, Lorde said in an interview, “There’s always someone asking you to underline one piece of yourself…. But once you do that, then you’ve lost” (Denver Quarterly 16.1 [1981], pp. 10–27).

 

But try not to cite sources that are too specialized, academic, or old and inaccessible. 


Biblical quotations:
Identify chapter and verse, and translation, where relevant.  Use AV for the King James version; e.g.: “which includes the line ‘Be pleased, O Lord, to deliver me’ (Psalms 40.13 [AV]).”

 

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3.10 Plagiarism

The AANB takes very seriously the issue of plagiarism of any print OR online resources. AANB editors will check all entries suspected of plagiarism against original sources. If any author is found to have pl